Routledge is delighted to announce that Volume 10, Issue 1 of Visual
Culture in Britain is now available.

Visual Culture in Britain publishes original work that places a broadly
defined visual culture encompassing painting and sculpture, architecture
and design, print, film, photography and the performing arts in relation
to its wider geographical and historical contexts.

The journal seeks material engaged with the period from the 18th century
to the present day and addresses a range of debates involving
constructions of racial, ethnic, sexual and gender identities,
nationality and internationalism, imperialism and colonialism, high, low
and consensus cultures; the role of institutions and cultural groupings,
and models of production and consumption. Submissions which consider
theoretical and interpretive issues as well as those concerned with
empirical research in relation to cultural production and representation
are encouraged.

Free Online Access for 2009

This is the journal's first issue published by Routledge and to
celebrate we are offering free online access to all articles in this
issue for the remainder of 2009.

Read the articles from this issue here:
http://www.informaworld.com/smpp/title~db=all~content=g911231917

Read more about the journal here:
www.tandf.co.uk/journals/rvcb

Original Articles:

Dislocated Narratives and Sites of Memory: Amateur Photographic Surveys
in Britain 1889-1897
Venda Louise Pollock
Pages 1 - 26

Instituting English Folk Art
Martin Myrone
Pages 27 - 52

'I'm the Girl He Wants to Kill': The 'Women in Peril' Thriller in 1970s
British Film and Television
Peter Hutchings
Pages 53 - 69

Heritage, History, and Gardening: The Victorian Kitchen Garden
(BBC/Sveringes Television 2, 1987) and the Representation of the
Victorian Age as Cultural Homeland
Iris Kleinecke-Bates
Pages 71 - 85

On Being Unique: World Art and its British Institutions
Leon Wainwright
Pages 87 - 101

Reviews

David Wilkie: The People's Painter
Matthew Craske
Pages 103 - 105

Material and Visual Cultures Beyond Male Bonding, 1870-1914
Jonathan Shirland
Pages 106 - 109

Hornsey 1968: The Art School Revolution
Malcolm Miles
Pages 109 - 112

Abstracts
Pages 113 – 116