L’IDEA | Testi Fonti Lessico • Disegni, Volume II, Issues 1-2 / 2025.

Rivista digitale di letteratura artistica, storia della filosofia, linguistica, & di storia del disegno | Open Access & Peer-Reviewed

e-ISSN 3035-2452
DOI 10.69114/LIDEA
ANVUR Class A – History of Art

The digital, gold open access and peer-reviewed journal L’IDEA | Testi Fonti Lessico • Disegni was established in 2024 through the collaboration of European scholars from Universities and Museums, committed to investigating, through an interdisciplinary approach, the fundamental relationship between the written language and the drawn language of artists, between art writings and drawings, beginning with the theoretical reflections of Leonardo da Vinci and Federico Zuccari. The editorial platform L’IDEA is, at the same time, one of the most significant outcomes of the scientific activity of the research unit of the Accademia di Belle Arti di Roma, lead institution of the PRIN2022 project IDEA | Corpus Digitale Zuccari. Testi, Contesti, Fonti e Lessico, funded by the European Union and by the Italian Ministry of University and Research.
With its second issue, L’IDEA celebrates the formal recognition of its scientific standing.
In December 2025, the Governing Council of the National Agency for the Evaluation of the University and Research System (ANVUR) resolved that the Journal fulfils the general and disciplinary requirements of Area 10 (History of Art, Literature and Philology, Linguistics and Glottology, Foreign Languages and Literatures) and Area 11 (History, Philosophy, Education and Pedagogy, Archival Science and Library Science, Palaeography).
L’IDEA has also obtained the prestigious academic recognition of Class A for the competitive sector 10B1, History of Art, as the Journal distinguishes itself as an authoritative forum for national and international debate owing to the full coherence of its aims and scientific, disciplinary and interdisciplinary fields with the relevant sector, and to the presence of scholars of established and widely acknowledged prestige within the academic community. The published contributions are characterised by the originality of their research perspectives, the rigorous application of methodologies, and the depth of critical analysis, supported by a wealth of sources and bibliographical information.
The path that has led L’IDEA to assume the role of a European platform for theoretical development in the field of the history of drawing, artistic literature, the philosophy of art, and the comparative philology of images, texts, and languages has developed coherently through a series of scientific initiatives: conferences, seminar series, study days organised in collaboration with scholars and national and international research institutions.
From the outset, L’IDEA has fostered encounter and dialogue between academics of recognised international standing and researchers of the new generation, creating a shared space for interdisciplinary research, critical discussion, and the practice of open science.

L’IDEA | Volume II, Issues 1-2, 2025:

ISSUE 1 – Texts, Sources, Lexikon

Vita Segreto
Editoriale

Baptiste Tochon-Danguy
Luce, vita e operatività: una riflessione su tre testi di Federico Zuccari

Grant Lewis
Federico Zuccari in England, 1575

Andrea Mazzucchi - Riccardo Montalto
Nuove prospettive sul Dante historiato di Federico Zuccari

Lorenzo Sacchini
Zuccari accademico: oltre San Luca

Mathilde Legeay
Idea, disegno et economica dans l’oeuvre de Federico Zuccari

Costantino Ceccanti
Federico Zuccari architetto antivitruviano e fiorentino

Ciro Perna
L’aristotelismo epico di Romano Alberti per «tassar chi tassa il Tasso»

Mario Zamora Pérez
«Dibujo [...] que es la perfección del arte»: Vicente Carducho and the Zuccaresque Drawing Theory

Elisabeth Oy-Marra
La ricezione (mancata?) dell’Idea di Federico Zuccari in Giovan Pietro Bellori

José Riello
Paradossi della ricezione: Federico Zuccari e la teoria artistica spagnola (1585-1724)

Novità Open Access:
Serena Malatesta
I progetti di DanteLimina: officina digitale di ricezione dantesca

ISSUE 2 – Drawings

Vita Segreto
Editoriale

Catherine Monbeig Goguel
Une image sacrée post-tridentine, au-delà de Federico Zuccari: La guérison du roi Abgar à la vue de la Sainte Face

James Mundy
«Art History is More than a Game of Pinning Names to Pictures»: The Selective Unpinning of the Graphic Work of Federico Zuccari

David Ekserdjian
Dante e Federico Zuccari: due modi diversi di raccontare la Divina Commedia

Dagmar Korbacher
Zuccari «europeo»: aspetti di arte, storia e collezionismo. Spunti di riflessione da Berlino

Marco Simone Bolzoni
L’idea del disegno. Forme del pensiero e pratiche grafiche in Federico Zuccari

Rhoda Eitel-Porter
Le Rouge et le Noir: Federico Zuccari’s Dante Historiato

Alexa McCarthy
«In campo azzurro»: The Zuccari and Blue Paper

Luca Baroni
Federico Barocci tra Taddeo e Federico Zuccari a Roma attorno al 1560: il ruolo del disegno

Catherine Loisel
Un aspect inattendu de l’influence de Federico Zuccari: dessins de jeunesse de Ludovico Carracci

Vita Segreto
Da Zuccari a Zuccari: la traiettoria accademica di Giovanni Balducci dal Libro disegnato di Lille al Discorso per l’Accademia del Disegno di Roma

Novità Open Access:
Tom Nevile
The Trois Crayons Museum Forum: A New Resource for Community-Sourced Drawings Research

Gudula Metze
Disegni italiani del Cinquecento a Dresda: aggiornamenti sul progetto di catalogazione