Journal of Art Historiography 29.2023, Supplement 2: The Influence of Viennese Art History.
Guest edited by Tomáš Murar.

CONTENTS:

Valentina Bartalesi (IULM University in Milan), ‘Inside haptic Modernism: Alois Riegl and Anglo-American art criticism and theory’ 29s2/VB1

Benjamin Binstock (Independent, Amsterdam), ‘Aloïs Riegl and the riddle of Rembrandt’s Staalmeesters: Vienna schooling Dutch art scholarship’ 29s2/BB1

Francesca Bottura (University of Verona), ‘The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s’ 29s2/FB1

Sabrina Raphaela Buebl (Universities of Salerno and Vienna), ‘Late Middle Ages and Renaissance: the forgotten contribution of Max Dvořák’ 29s2/SRB1

Barbara Czwik (Independent, Vienna), ‘What does “knowing” mean? Otto Pächt hears Moritz Schlick’ 29s2/BC1

Eleonora Gaudieri (University of Vienna), ‘Alois Riegl’s “Baroque” in the light of selected passages in his unpublished manuscripts’ 29s2/EG1

Jerzy Gorzelik (University of Silesia in Katowice), ‘Phantom Rome and wooden Atlantis: the Vienna School and the research on timber architecture in Central and Eastern Europe between the World Wars’ 29s2/JG1

Nuria Jetter (Gemäldegalerie, Staatliche Museen zu Berlin), ‘The origins of Hans Sedlmayr’s methodology and its relation to his politics: a disregarded approach’ 29s2/NJ1

Violetta Korsakova (Jagiellonian University), ‘The reception of the Vienna school of art history in Poland in the years 1945-1955’ 29s2/VK1

Vesna Krmelj (Slovenian Academy of Sciences and Art), ‘Beyond Dvořákʼs “The Last Renaissance”: on the beginnings of Slovenian scientific art history inspired by modern art‘ 29s2/VeK1

Tomáš Murár (Czech Academy of Sciences), ‘Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials’ 29s2/TM1

Melissa Rérat (University of Applied Arts, Vienna), ‘The Vienna School of Art History from the 1960s to the mid-1970s: the renewal of art history and the influence of art schools’ 29s2/MR1

Zehra Tonbul (Istinye University), ‘Endosmosis: bio-geographical sources of a World Art History’ 29s2/ZT1

Fabio Tononi (NOVA University of Lisbon), ‘Ernst Gombrich and the concept of “ill-defined area”: perception and filling-in’ 29s2/FT1

Rebeka Vidrih (University of Ljubljana), ‘The subject of scientific art history according to Riegl … and his followers’ 29s2/RV1

Michael Young (University of Connecticut, Storrs), ‘Jewish students in Strzygowski’s Vienna Institute and the study of Jewish art: a forgotten chapter in the history of the Vienna School’ 29s2/MY1