Volume XXXVIII
Number 4
December 2021

CONTENTS

Memoirs of the Print Trade
Introduction by Antony Griffiths 371
- Gordon Cooke 376
- Alan Cristea 380
- Adrian Eeles 384
- D. Lesley Hill and Alan N. Stone 390
- Armin Kunz 393
- Christopher Mendez 398
- Frederick Mulder 402
- Hubert Prouté 406
- Mary Ryan 410
- David Tunick 415

NOTES

The ‘Colour-Tone Print’: Innovation in the Construction of the Body by ELIZABETH SAVAGE 421

Étienne Delaune (1518/19–83) by CATHERINE JENKINS 423

Prints after Raphael, from Marcantonio Raimondi to Giulio Bonasone by ANNE BLOEMACHER 427

Prints after Designs by Antoine Caron by KETTY GOTTARDO 430

Rubens as Designer of Title-Pages by HANS JAKOB MEIER 433

Thomas Hobbes’s Leviathan (1651) by MICHAEL HUNTER 434

The History of the Wig by ELIZABETH L. BLOCK 436

William Blake at Tate Britain by RICHARD TAWS 438

Maine’s Lithographic Landscapes by LINDSAY LEARD-COOLIDGE 440

From Australia to the British Museum by MARK MCDONALD 441

Max Sulzbachner (1904–85) by CHRISTIAN RÜMELIN 443

The Woodcut in Italy in the Twentieth Century by MARTIN HOPKINSON 445

Le Livre Futuriste Italien by STEPHEN J. BURY 447

Siemen Dijkstra – à bois perdu by JUDITH BRODIE 448

Contemporary Prints from the Middle East and North Africa at the British Museum by ALEX DIKA SEGGERMAN 450

Corrections to ‘Wenceslaus Hollar’s Muscarum scarabeorum vermiumque varie figure Anatomized and Identified’ by MARK STOCKER, JULIA KASPER AND PHIL SIRVID 453

Obituary for Michael Bury (1947–2021) by MARK MCDONALD 453

CATALOGUE AND BOOK REVIEWS

Early Assemblage of Manuscript and Print by DAVID S. AREFORD 455

Jacob Cornelisz ‘Van Oostsaanen’ by DAANTJE MEUWISSEN 459

Bruegel: The Complete Graphic Works by NADINE M. ORENSTEIN 464

Jacob Christoff Le Blon and Trichromatic Printing by HANS JAKOB MEIER 469

The Kimono in Print by ANNA JACKSON 473