CFP 28.06.2010

Art & Gambling in the 19th Century (Tempe, 3-6 March 2011)

Allison Morehead

Call for Papers: Nineteenth-Century Studies Association annual conference,
March 3-6, 2011 at Arizona State University (possibility of relocation to
New Mexico)

Session: Art and Gambling (session to be sponsored by the Association of
Historians of 19th-Century Art)

Chair: Allison Morehead, Queen's University

"...there /is/ something in the feeling that, though one is alone, and in a
foreign land, and far from one's own home and friends. And ignorant of
whence one's next meal is to come, one is nevertheless staking one's very
last coin!" ­ Dostoevsky, The Gambler

Writing on Baudelaire, Walter Benjamin presented the gambler as a heroic
modern type, a mirror image of the industrial laborer in his mechanized
actions, drudgery and eternally delayed wish fulfillment. In the nineteenth
century, games of chance ceased to be the preserve of aristocratic society;
as gambling became increasingly institutionalized it was also fetishized and
pathologized. This panel invites papers that explore what purchase gambling
­ that singular experience of betting on chance ­ had on nineteenth-century
visual culture. Contributions might engage visual representations of
gambling, casino architecture and decor, literary representations of
artist-gamblers, speculation in the art market, or art-making and artistic
careers as forms of gambling.

Deadline for 300-word abstract: August 15, 2010
Email proposals to moreheadqueensu.ca

Please note: This panel is contingent upon a change in the conference
location.

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Allison Morehead
moreheadqueensu.ca

Quellennachweis:
CFP: Art & Gambling in the 19th Century (Tempe, 3-6 March 2011). In: ArtHist.net, 28.06.2010. Letzter Zugriff 05.07.2025. <https://arthist.net/archive/32783>.

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