Images at Work: Image and Efficacy from Antiquity to the Rise of
Modernity.
Kunsthistorisches Institut in Florenz, Max-Planck-Institut
30 September - 2 October 2010
According to legend, Virgil made a fly out of bronze and placed it above
the gates of Naples. The sole purpose of the bronze fly was to prevent
other flies from entering the city. The conference Images at Work will
set out to explore the intention, function, and reception of images like
Virgil's fly: images made to influence the natural world. We seek to
examine the theories behind the construction of these operative images,
to interrogate how the production of apotropaic images related to the
production of Art, and to question how the manufacture of such working
images interacted with the production of other types of mechanical
apparatus.
In contrast to religious miracle-working images that perform multiple
miracles of varying types, and which, crucially, are usually perceived
as operating in the world only subsequent to their creation, the images
with which this conference seeks to engage had, in most cases, very
specific, predetermined functions. The objective of Images at Work is
thus to focus on the scientific and magical spheres of image production;
it will consider these adjunctive images as both objects in space and
actors in ritual. The goal of the conference at the Kunsthistorisches
Institut in Florenz will be to map the central issues regarding images
that function in the natural world. We aim to discuss the phenomena
ascribed to this category of images historically, culturally, and
geographically, employing a broad array of theoretical and disciplinary
approaches. The conference will address the manufacture of images that
work, their function in real as well as in imaginary realms, and their
reception on both functional and aesthetic levels.
Paper topics could include discussions of apotropaic imagery, as well as
a wide variety of automata, from mechanical armed guards to timepieces
and astronomical clocks. The interaction between the function of
religious "miracle working images" and scientific developments in image
making, as well as the place of magic in the making of images that work
are welcome subjects. Theories of the making of images that work, as
well as discussions of workshop methods that address the interaction
between images that work and the creation of typical images (i.e., Art),
are also possible topics.
Scholars interested in participating in the conference are invited to
send a 250 word proposal, a CV and a list of publications to the
following address by 19 April 2010: joneskhi.fi.it
Conference organized by Ittai Weinryb, Ashley Jones, Hannah Baader and
Gerhard Wolf
Quellennachweis:
CFP: Images at Work (Florence, 30 Sep - 2 Oct 10). In: ArtHist.net, 25.01.2010. Letzter Zugriff 19.07.2025. <https://arthist.net/archive/32176>.