Art History
Volume 32, Issue 5, 2009

Special Issue:
Photography after Conceptual Art

Edited by Diarmuid Costello and Margaret Iversen
©2009 The Association of Art Historians

Original Articles

825-835
INTRODUCTION: PHOTOGRAPHY AFTER CONCEPTUAL ART
DIARMUID COSTELLO, MARGARET IVERSEN

836-851
AUTO-MATICITY: RUSCHA AND PERFORMATIVE PHOTOGRAPHY
MARGARET IVERSEN

852-873
ED RUSCHA, HEIDEGGER, AND DEADPAN PHOTOGRAPHY
ARON VINEGAR

874-893
SUBJECT, OBJECT, MIMESIS: THE AESTHETIC WORLD OF THE
BECHERS' PHOTOGRAPHY
SARAH E. JAMES

894-909
EXIT GHOST: DOUGLAS HUEBLER'S FACE VALUE
GORDON HUGHES

910-931
PRODUCTIVE MISUNDERSTANDINGS: INTERPRETING MEL BOCHNER'S
THEORY OF PHOTOGRAPHY
LUKE SKREBOWSKI

932-953
RONI HORN'S ICELANDIC ENCYCLOPEDIA
MARK GODFREY

954-976
THOMAS DEMAND, JEFF WALL AND SHERRIE LEVINE: DEFORMING 'PICTURES'
TAMARA TRODD

977-995
ALMOST MEROVINGIAN: ON JEFF WALL'S RELATION TO NEARLY EVERYTHING
WOLFGANG BRÜCKLE

996-1015
MORNING CLEANING: JEFF WALL AND "THE LARGE GLASS"
CHRISTINE CONLEY

Abstracts and Authors
1016-1020 ABSTRACTS AND AUTHORS
Index to Volume 32
1021-1024 INDEX TO VOLUME THIRTY TWO