The Burlington Magazine

September 2005 • Number 1230 • Volume CXLVII

Editorial

Ease of access
Articles

‘Mysterious wisdom won by toil’: new light on Samuel Palmer’s ‘Lonely Tower‘
by WILLIAM VAUGHAN and ELIZABETH E. BARKER

Evocation or typography: John Piper’s watercolours of Windsor Castle, 1941–44
by SUSAN OWENS

Shorter notices

Samuel Woodforde’s first diary: an early source for Mary Beale
by CAROL GIBSON-WOOD

A rediscovered oil-sketch by John Constable
by JENNIFER A. THOMPSON

John Brett and Ruskin’s ‘The Elements of Drawing’
by CHARLES BRETT

Artistic integrity and feminist spin: a spat at the Endell Street Military
Hospital
by JENNIAN F. GEDDES

Bridget Riley’s ‘Continuum’ (1963) recreated
by FRANCES FOLLIN
Letter to the Editor

The Whitehall Banqueting Hall
by GREGORY MARTIN
Book reviews

John Constable and the Theory of Landscape Painting, R. Lambert
by MICHAEL ROSENTHAL

Building Jerusalem. The Rise and Fall of the Victorian City, T. Hunt; The Small
House in
Eighteenth-Century London, P. Guillery
by CHRIS MIELE

Men at Work: Art and Labour in Victorian Britain, T. Barringer
by PETER FUNNELL

Body Doubles: Sculpture in Britain, 1877–1905, D.J. Getsy
by PEYTON SKIPWITH

William Roberts. An English Cubist, A. Gibbon Williams
by FRANCES SPALDING

Modern Art, Britain and the Great War: Witnessing, Testimony and Remembrance,
S. Malvern
by DAVID PETERS CORBETT
Exhibition reviews

British watercolours and drawings
by RICHARD GREEN

Treasures from Dresden
by TIMOTHY SCHRODER

Graham Sutherland
by DENNIS FARR

Pictures of Innocence
by ALEX KIDSON

Landscape in Provence
by PHILIP CONISBEE

Paul McCarthy
by MORGAN FALCONER

Freud; Venice Biennale; Pollock
by CATHERINE CRAFT

Vittoria Colonna
by STEPHEN J. CAMPBELL

Maria de’ Medici
by BRUCE. L. EDELSTEIN

Jasper Johns
by JAMES LAWRENCE

Tiepolo’s oil-sketches
by CATHERINE WHISTLER

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