TOC Word & Image 19, nos. 1 & 2, 2003

Likeness in an Age of Mechanical Reproduction: Printed and Medallic
Portraits in Renaissance and Baroque
Europe, a new issue of Word & Image has just appeared:

WORD & IMAGE
Vol. 19, nos. 1 & 2, 2003

TABLE OF CONTENTS

Likeness in an Age of Mechanical Reproduction: Printed and Medallic
Portraits in Renaissance and Baroque Europe

Guest editors: Adrian W. B. Randolph and T. Barton Thurber

Adrian W. B. Randolph, Introduction: the authority of likeness

Larry Silver, The face is familiar: German Renaissance portrait multiples

Peter Parshall, Portrait prints and codes of identity in the
Renaissance: Hendrik Goltzius, Justus Lipsius, and Michel de Montaigne

Bronwen Wilson, Reflecting on the Turk in late sixteenth-century
Venetian portrait books

Arne Flaten, Identity and the display of medaglie in Renaissance and
Baroque Europe

Thomas McGrath, Facing the text: Florentine author portraits in
printed books, 1545-1585

Evelyn Lincoln, The Jew and the worms: portraits and patronage in a
sixteenth-century how-to manual

T. Barton Thurber, Multiple identities in Francesco Villamena's
portrait print of Giovanni Alto dedicated to Cassiano dal Pozzo

Stephen Orgel, Original copies

(For more information about Word & Image, see
http://www.tandf.co.uk/journals/tf/02666286.html)

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