Migrations, Transfers, and Resemantization.
Artls Bulletin vol. 6, 2
(Summer 2017)

Circulations, resémantisations. Le palimpseste aporétique
Béatrice Joyeux-Prunel

Les recueils d'ornements latino-américains: Instrumentalisations nationales et internationales (1923 -1947)
Elodie Vaudry

Distance and Distortion: Amadeo Souza Cardoso's and Joan Miró's War-years Painting and the Words that Fail Them
Joana Cunha Leal

From Foix to Dalí: Versions of Catalan Surrealism between Barcelona and Paris
Enric Bou

Unwanted by Both the Political Left and Right: Interwar Europe’s Hungarian Migrating Artists
Éva Forgács

Nothing to do With Politics, Only Art? On Wassily Kandinsky’s Work in Paris, from 1934 until the Outbreak of the War
Kate C. Kangaslahti

« Dégénérés » en France. Tentatives de définition d'une identité collective par les artistes germaniques exilés en France à la fin des années 1930
Hélène Duret

The Reception of Modern European Art in Calcutta: A Complex Negotiation (1920s-1940s)
Julia Madeleine Trouilloud

Six Portuguese Painters From Paris Revisited: Artistic Emigration from Portugal to Paris in the First Half of the 1960s:
Joana Baião

Magie, Terre et Cri. Les resémantisations politiques de l’œuvre d’Antoni Tàpies sous le franquisme
Claudia Grego

Kisses Sweeter than Wine. Öyvind Fahlström and Billy Klüver: The Swedish Neo-Avant-Garde in New York
Per Bäckström

Poiesis
Moving Significances (Within 52 Days)
Plinio Ribeiro Jr

The Artls Bulletin (ISSN 2264-2668) is a peer-reviewed, transdisciplinary journal devoted to spatial and transnational questions in the history of the arts and literature. It is published by the École normale supérieure, université de Recherche Paris-Sciences Lettres, and the Centre national pour la recherche scientifique. The online version of the ARTLS Bulletin is hosted by Purdue Scholarly Publishing Services at: http://docs.lib.purdue.edu/artlas/

For more information on the aims and scope of the Artls Bulletin, please see the About the Journal page, and feel free to contact the editors, Catherine Dossin (cdossinpurdue.edu) and Béatrice Joyeux-Prunel (beatrice.joyeux-prunelens.fr).