In our new January issue, published 3rd January 2017:

EDITORIAL
History of Art A level
by HELEN OAKDEN

ARTICLES
Simone Martini’s last documented work
by EMMA CAPRON

The Lisbon Bible and the Throne of Portugal
by ALICE SEDGWICK WOHL

Montemezzano in Lancashire
by ENRICO MARIA DAL POZZOLO

Milan 1630: the festivities to celebrate the birth of Prince Balthasar of Spain and an invention by Leonardo da Vinci
by GIULIO BORA and PIETRO C. MARANI

David Jones’s ‘Self-portrait’ (1928)
by TOM DILWORTH

LETTER
Delacroix
by SIMON LEE

OBITUARY
Anne Crookshank (1927–2016)
by EDWARD MCPARLAND

BOOKS
Galleria Nazionale dell’Umbria: dipinti e sculture dal XIII al XV secolo. Catalogo generale 1, by Vittoria Garibaldi
by CARL BRANDON STREHLKE

Corpus of Sienese Paintings in Hungary 1420–1510, by Dóra Sallay
by ANDREA DE MARCHI

Architecture, Art and Identity in Venice and its Territories, 1450–1750, edited by Nebahat Avcioglu and Emma Jones; Artistic Practices and Culture Transfer in Early Modern Italy, edited by Nebahat Avcioglu and Allison Sherman; and Venetian Painting Matters (1450–1750), edited by Jodi Cranston
by BEVERLY LOUISE BROWN

Italian, Spanish and French Paintings before 1850 in the San Diego Museum of Art, by John Marciari
by JOHN WILSON

‘Bella quanto l’originale istesso’: La Copia del Cenacolo della Royal Academy di Londra. Vicende, fortuna, attribuzione, by Pietro C. Marani
by JULIANA BARONE

Raphael’s Ostrich, by Una Roman D’Elia
by SYLVIA FERINO-PAGDEN

El Greco in Italia: Metamorfosi di un genio, edited by Lionello Puppi, and Saggi, edited by Lionello Puppi
by PAUL JOANNIDES

Le Coloris vénitien à la Renaissance. Autour de Titien, by Isabelle Bouvrande
by CHARLES HOPE

Bernard Berenson: Formation and Heritage, edited by Joseph Connors and Louis A. Waldman
by ROBERT B. SIMON

Aux origins d’un goût: La peinture baroque aux Etats-Unis, edited by Anna Ottani Cavina and Keith Christiansen
by DENNIS P. WELLER

The Russian Canvas: Painting in Imperial Russia, 1757–1881, by Rosalind P. Blakesley
by MOLLY BRUNSON

Lazar Khidekel and Suprematism, edited by Regina Khidekel
by CHRISTINA LODDER

Jackson Pollock’s ‘Mural’: Energy Made Visible, by David Anfam
by PATRICIA SMITHEN

PUBLICATIONS RECEIVED

EXHIBITIONS
Picasso portraits
by MARILYN MCCULLY

Opus Anglicanum
by ELIZABETH COATSWORTH

Classicism in British art, 1920–1950
by JAMES CAHILL

Marcantonio Raimondi
by DAVID EKSERDJIAN

The Shchukin collection
MARKUS LÄHTEENMÄKI

Jean-Luc Moulène
by LUKE NAESSENS

Albert Besnard
by PATRICK BADE

Tino Seghal and other performances
by MARTHA BARRATT

Fantin-Latour
by RACHEL SLOAN

Hieronymus Bosch
by DEBRA HIGGS STRICKLAND

Creating history
by PHILIP MCEVANSONEYA

Illuminated manuscripts in Boston
by JONATHAN J.G. ALEXANDER

Early Monet
by RICHARD R. BRETTELL

CALENDAR