Afterall is pleased to present issue 41, spring/summer 2016, which looks at how technology shapes bodies. Through the work of Stuart Marshall, Ion Grigorescu, Franciszka and Stefan Themerson, Holly Herndon and Cooperativa Cráter Invertido, this issue examines how artists have pitched embodied subjectivity against different forms of scientific, economic and political abstraction.
Foreword
Helena Vilalta
Contexts
Fractal Freedoms
Hannah Black
Artists
Ion Grigorescu
Ion Grigorescu: A Political Reinvention of the Socialist Man
Ovidiu Tichindeleanu
Ion Grigorescu: My Vocation Is Classical, Even Bucolic
Anders Kreuger
Contexts
Naisho Wave Manifesto (Secrecy Wave Manifesto)
Terre Thaemlitz
Artists
Stuart Marshall
Intervention: Stuart Marshall
Ian White
Touching What Does Not Yet Exist: Stuart Marshall and the HIV/AIDS Archive
Aimar Arriola
On Stuart Marshall
Alvin Lucier
Events, Works, Exhibitions
Loyal Subjects of the Image: 'Pictures of Sweden 1969'
Kim West
Artists
Holly Herndon
The New Gods in the Machine: Holly Herndon's Vehicularity
Travis Jeppesen
Holly Herndon: A Life Across Bits and Atoms
Lina Dzuverovic
Contexts
Themerson & Themerson
David Morris
Artists
Cooperativa Cráter Invertido
Cooperativa Cráter Invertido: A Binding Latency
Sol Henaro
Contexts
Anarchism, Education and Compromise: Voices from Montevideo
Anne Szefer Karlsen
Contexts
Space/Time: Matter and Motion in On Kawara
Nikos Papastergiadis
Contexts
Littoral Madness
Chris Kraus
Reference:
TOC: Afterall, issue 41, spring/summer 2016. In: ArtHist.net, May 18, 2016 (accessed Jul 6, 2025), <https://arthist.net/archive/13016>.