NCAW Autumn 2024, Vol. 23, Issue 2
Table of Contents

Editors’ Welcome

American Art History Digitally
sponsored by the Terra Foundation for American Art
“A Measure of Success: An African American Photograph Album from Turn-of-the-Twentieth-Century Connecticut”
by Laura Coyle, with Mirasol Estrada and Allan McLeod

Articles
“‘Before the Eye and into the Heart’: The Lindsays of Balcarres and the Mediascape of the Crimean War”
by Luke Gartlan

“The Origins of the Taste for Barbizon Painting in Britain: Paul Durand-Ruel’s Exhibitions of the Society of French Artists”
by Simon Kelly and Andrew Watson

“Romanticism’s Avatar: Le Rageur of the Forest of Fontainebleau”
by Patricia Mainardi

New Discoveries
“François Henri Jacquet’s Plaster Cast of the Venus of Milo, 1821”
by Nina Athanassoglou-Kallmyer

Practicing Art History
“AHNCA @ 30: Past, Present, and Future”
Patricia Mainardi interviewed by Roberto C. Ferrari

Book Reviews
William Rimmer: Champion of Imagination in American Art
by Dorinda Evans
Reviewed by Sarah Burns

The Art of Mary Linwood: Embroidery, Installation, and Entrepreneurship in Britain, 1787–1845
by Heidi A. Strobel
Reviewed by Theresa Kutasz Christensen

The Revolution Takes Form: Art and the Barricade in Nineteenth-Century France
by Jordan Marc Rose
Reviewed by Erin Duncan-O’Neill

A Data-Driven Analysis of Cemeteries and Social Reform in Paris, 1804–1924
by Kaylee P. Alexander
Reviewed by Nancy Karrels

Fidelia Bridges: Nature into Art
by Katherine Manthorne
Reviewed by Kim Orcutt

The Aesthetics of Reaction: Tradition, Faith, Identity, and the Visual Arts in France, 1900–1914
by Neil McWilliam
Reviewed by Charles Palermo

Sculpting Abroad: Nationality and Mobility of Sculptors in the Nineteenth Century
edited by Marjan Sterckx and Tom Verschaffel
Reviewed by Caterina Y. Pierre

Art and Monist Philosophy in Nineteenth Century France from Auteuil to Giverny
by Nina Athanassoglou-Kallmyer
Reviewed by Jonathan P. Ribner

Quo vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology
by Ivo Blom
Reviewed by Patricia Smyth

Networks of Touch: A Tactile History of Chinese Art, 1790–1840
by Michael J. Hatch
Reviewed by Patricia Yu

Tastemakers, Collectors, and Patrons: Collecting American Art in the Long Nineteenth Century
edited by Linda S. Ferber and Margaret R. Laster
Reviewed by Leanne Zalewski

Exhibition Reviews
Prophets, Priests, and Queens: James Tissot’s Men and Women of the Old Testament
Reviewed by Stephen Brown

Théodore Rousseau: La Voix de la forêt (Théodore Rousseau: The Voice of the Forest)
Reviewed by Joy Cador

Now You See Us: Women Artists in Britain, 1520–1920
Reviewed by Meaghan Clarke

Eduardo Rosales (1836–1873) en el Museo del Prado (Eduardo Rosales [1836–1873] in the Prado Museum)
Reviewed by Andrew Ginger

L’ultimo ritratto: Mazzini e Lega, storie parallele del Risorgimento (The Last Portrait: Mazzini and Lega, Parallel Histories of the Risorgimento)
Reviewed by Stefano Moscatelli

Ernst Josephson: Konst, Poesi & Musik (Ernst Josephson: Art, Poetry and Music)
Reviewed by David Smith