Print Quarterly XL, No. 3, September 2023

Articles:

A Copperplate of The Dominican Martyrs of Japan Reused by Murillo by CLOE CAVERO DE CARONDELET 251.

Averkiy Kozachkovskyi and Western Sources of Kyiv Prints, 1720s–40s by VITALII TKACHUK 265.

Thomas Rowlandson’s The Women of Muscovy and Other Russeries After Jean-Baptiste Le Prince by NICHOLAS J.S. KNOWLES 28.

Screenprinting in Postwar Italy: Nuvolo and the Invention of ‘Serotipie’ by KATIE LARSON 302.

Notes:

Niccolò della Magna and Florentine Printing before 1493 (Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493) by ALESSANDRA BARONI 317.

The Renaissance Female Nude (Der Liegende Weibliche Akt in Malerei und Graphik der Renaissance) by DANIEL GODFREY 318.

Engravings and Drawings by Bernard Salomon by ILARIA ANDREOLI 320.

The Ruins Lesson: Meaning and Material in Western Culture by MARK MCDONALD 322.

Vatel: The Splendours of the Table During the Reign of Louis XIV by SUNG MOON CHO 325.

Francois Spierre (1639–81) (Un incisore lorenese nella Roma barocca) by VERONIQUE MEYER 327.

William Blake: Visionary by DAVID BINDMAN 330.

Caricature in France 1789 to Late 1800s: Continuity and Mutation by PATRICIA MAINARDI 331.

Important Gift of Currier & Ives Prints by CONSTANCE MCPHEE 334.

Lyonel Feininger. La Ville et la Mer by MARIE GISPERT 336.

The Käthe Kollwitz Museum in Cologne (Käthe Kollwitz: A Survey of Her Works 1888–1942) by LOUIS MARCHESANO 337.

Printmaking in New Zealand (Ink on Paper. Aotearoa New Zealand Printmakers of the Modern Era and Proof. Print Council Aotearoa New Zealand: Two Decades of Printmaking) by DAVID MASKILL 339.

Valerie Maynard – Lost and Found by JUDITH BRODIE 342.

Storywork: The Prints of Marie Watt by ALEXANDER ADAMS 344.

Catalogue and Book Reviews:

The Liefrinck Dynasty (The New Hollstein series) by EDWARD H. WOUK 347.

James Gillray: A Revolution in Satire by MARK BILLS 353.

Japanese Woodblock Prints from the Ernst Grosse Collection in Freiburg by JEANNIE KENMOTSU 357.

The Dalziel Archive and Victorian illustration (The Wood Engravers’ Self-Portrait) by STEPHEN BANN 360.