08)

Notes - Sketches - Scribbles: Writing and drawing as creative tools

A conference at Yale University, Nov. 13-15th, 2008

Organized by the research initiative 'Knowledge in the Making' at the Max
Planck Institute for the History of Science, Berlin, the Kunsthistorisches
Institut in Florenz (Max Planck Institute), and in cooperation with the
Department of Germanic Languages & Literatures of Yale University.

The conference will be dedicated to spaces of aesthetic and knowledge
production opened up by the preparatory notes, sketches, and scribbles made
in the discovery and creative operations of artists and scientists.
Notebooks and sketchbooks, in such a context, are seen as open, dynamic and
material grounds for vibrant processes involved in knowledge and/or
aesthetic formations. Epistemic spaces, the materials involved, and their
interrelationships in the production of knowledge, or even in the
production of aesthetic forms, will thereby play a central role in the
papers of this conference. It is thus not only the inscriptions of art and
science that will be of interest, but the very act of inscribing that will
be examined. This act of inscribing, when written large, intends to go into
the social, historical, and epistemological dimensions. When such an act is
seen as a preparatory approach to a problem, through rough notes, mere
scribbles, and casual diagrams, certain material and conceptual conditions
to the formation of knowledge or aesthetic forms may be further
highlighted.

We are interested in the approaches taken at the earliest stages of the
creative and productive processes and in their supposed operational logic.
This means that the focus will be more on the various forms of processes
involved, than on the final product. Such as, for instance, in the case of
sketches of Nebulae made in Observing Books of Victorian Astronomers, or
the exploratory notes and scribbles of Paul Valérys notebooks. Do the
material and conceptual conditions involved in the act of inscribing,
especially with regard to the notes and sketches taken, then, somehow
relate to the objects of knowledge involved or to an artistic production?
How exactly are the ways in which the unclear and inarticulate aspects,
especially at the preparatory and early stages, made clear and articulate,
at least in part, by the action and materials of writing and drawing? What
are the dynamics involved between ones approach to the unknown and the
tools used in this attempt? And furthermore, what are the tentative
relationships formed between writing, symbol, drawing and notation? How are
the disparate components of knowledge stabilized and connected by such
initial outlines, sketches and notes? These questions are meant to bring
forth issues concerning the nature of inscriptions and their material
embodiments; and even more fundamentally, the layers of various conditions
of writing and drawing used as tools in the preliminary approach to
problems, conjectures and proofs, and to the production/discovery of
concepts or artistic forms.

PROGRAM

1st Day: Thursday Nov. 13, 2008

6pm: Welcome Address by Ruediger Campe

Evening Lecture by Hans-Joerg Rheinberger: "Between Note Taking and
Notation: Remarks on Laboratory Writing"

2nd Day: Friday Nov. 14, 2008

10:15-10:30: Introduction by Karin Krauthausen

10:30-11:30: Ralph Ubl: "Drawing as Supplement. Remarks on Delacroix"

11:30-11:40: Break

11:40-12:40: Kirk Wetters: "Novel in the Making: The Blurred Line Between
Life and Literature in Heimito von Doderer's Diaries, Notebooks and
Sketches"

Lunch: 1:00-2:30

2:30-3:30: James Secord: "The Neptune Scrapbook: Cutting, Pasting, and
Discovering"

3:30-3:40: Break

3:40-4:40: Karin Krauthausen: "The Sketches and Writings in the early
Cahiers of Paul Valéry. A Writer searching for his 'Paper Tools'"

3rd Day: Saturday Nov. 15, 2008

10:30-11:30: Ruediger Campe: N.N.

11:30-11:40: Break

11:40-12:40: Omar Nasim: "Scientific Observations and 'Working Images' -
Drawing as a Research Tool for the Nebulous"

Lunch: 1:00-2:30

2:30-3:30: Sabeth Buchmann: "Invisible Drawings - Visible Things on Paper"

3:30-3:40: Break

3:40-4:40: Concluding Session

Contacts:
Rüdiger Campe: rudiger.campeyale.edu
Karin Krauthausen: Krauthausenmpiwg-berlin.mpg.de
Omar Nasim: nasimkhi.fi.it

Venue:
Yale University
Department of Germanic Languages & Literatures,
William L. Harkness Hall, 3rd Fl., Room 309,
100 Wall St., New Haven, CT

Further informations: www.knowledge-in-the-making.de