Art History
February 2008
Vol. 31 Issue 1
Page 1-138
Table of Contents:
LOOKING THE PART: RUMINATIVE VIEWING AND THE IMAGINATION OF COMMUNITY IN
THE EARLY MODERN LOW COUNTRIES
BRET ROTHSTEIN
pages 1-32
LIGHT, DARKNESS, AND AFRICAN SALVATION: VELÁZQUEZ'S SUPPER AT EMMAUS
TANYA J. TIFFANY
pages 33-56
„MERELY MECHANICAL”: ON THE ORIGINS OF PHOTOGRAPHIC COPYRIGHT IN FRANCE
AND GREAT BRITAIN
ANNE MCCAULEY
pages 57-78
FROM WOMEN'S WORK TO THE UMBILICAL LENS: MARY KELLY'S EARLY FILMS
SIONA WILSON
pages 79-102
Reviews
MADE IN BRAZIL
Michael Asbury
pages 103-114
INVENTING THE FUTURE: CONSTRUCTIVISM RE-VISITED, RE-EVALUATED, RE-DRAWN
Sally Dalton-Brown
pages 114-116
PATRONAGE, DEVOTION AND GENDER ROLES IN BURGUNDIAN COURT ART
Elizabeth L'Estrange
pages 117-122
THE WORLD THROUGH A LENS
Jason Onerheim
pages 122-124
OF HIS TIME?
Jeremy Roe
pages 124-128
DADA DIALOGICS
Christian Weikop
pages 128-133
ON THE SILK ROAD
Melissa Aho
pages 133-136
Abstracts and authors' biographies
ABSTRACTS AND AUTHORS
pages 137-138
Quellennachweis:
TOC: Art History, Feb 2008, Vol. 31 Issue 1. In: ArtHist.net, 18.02.2008. Letzter Zugriff 10.05.2025. <https://arthist.net/archive/30111>.