Nineteenth-Century Art Worldwide
Volume 5, 1, Spring 2006

Table of Content

Editor's Welcome.
Therese Dolan, "En garde: Manet's Portrait of Emilie Ambre in
the Role of Bizet's Carmen'".
Claire Black McCoy, "This man is Michelangelo: Octave Mirbeau,
Auguste Rodin and the Image of the Modern Sculptor'".
Heather Belnap Jensen, "The Journal des Dames et des Modes:
Fashioning Women in the Arts, c. 1800-1815'".
Adrienne Kochman, "Ambiguity of Home: Identity and
Reminiscence in Marianne Werefkin's Return Home, c. 1909'"
James H. Rubin, "Eugène Delacroix's Portrait of Charles de
Verninac, 1825-1826'".

Reviews

The Essence of Line: French Drawings from Ingres to Degas
(exh. cat.) by William R. Johnston et al., reviewed by Petra Chu.
Italian Memorial Sculpture, 1820-1940; A Legacy of Love by
Sandra Berresford et al., reviewed by Nancy Scott.
Cézanne and Provence: The Painter in His Culture by Nina Maria
Athanassoglou-Kallmyer, reviewed by Charles Stuckey.
The Rise of the Cult of Rembrandt: Reinventing an Old Master
in Nineteenth-Century France by Alison McQueen, reviewed by Amy Von
Lintel.
Gustave Doré, oeuvres de la collection du Musée d'Art Moderne
et Contemporain de Strasbourg, reviewed by Gabriel P. Weisberg.
Girodet (1767-1824), reviewed by Brooks Beaulieu.
Jean Charles Langlois 1789-1870. Le Spectacle de l'histoire,
reviewed by John Zarobell.
Gauguin's Vision', reviewed by Aimée Brown Price.

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