Oxford Art Journal -- Table of Contents Alert

A new issue of Oxfo rd Art Journal
has been made available:

March 2005; Vol. 28, No. 1

URL: http://oaj.oupjournals.org/content/vol28/issue1/index.dtl?etoc

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Articles
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Class, Conflict, Race and Remembrance: Adrian Piper's Black Box/White Box,
Greensboro, NC, 1 November 2001

Francis Frascina
Oxford Art J 2005 28:1-24.
http://oaj.oupjournals.org/cgi/content/abstract/28/1/1?etoc

Gerhard Richter's Stations of the Cross: On Martyrdom and Memory in
Postwar German Art

Lisa Saltzman
Oxford Art J 2005 28:25-44.
http://oaj.oupjournals.org/cgi/content/abstract/28/1/25?etoc

'Keep Your Distance': Aby Warburg on Myth and Modern Art

Sven Lutticken
Oxford Art J 2005 28:45-59.
http://oaj.oupjournals.org/cgi/content/abstract/28/1/45?etoc

Harriet Hosmer and the Feminine Sublime

Gabrielle Gopinath
Oxford Art J 2005 28:61-81.
http://oaj.oupjournals.org/cgi/content/abstract/28/1/61?etoc

Caravaggio's Coroner: Forensic Medicine in Giulio Mancini's Art Criticism

Todd P. Olson
Oxford Art J 2005 28:83-98.
http://oaj.oupjournals.org/cgi/content/abstract/28/1/83?etoc

The Widows' Might: Women's Identity and Devotion in the Brancacci Chapel

Nicholas A. Eckstein
Oxford Art J 2005 28:99-118.
http://oaj.oupjournals.org/cgi/content/abstract/28/1/99?etoc

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Reviews
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Review: What's in a Relic?

Helen M. Hills
Oxford Art J 2005 28:119-124.

Review: Looking Again

Cammy Brothers
Oxford Art J 2005 28:124-126.

Review: The Manic, the Public and the Visual

Leslie Topp
Oxford Art J 2005 28:126-129.

Review: Recontextualising Orientalism

Jennifer L. Shaw
Oxford Art J 2005 28:129-131.

Review: Refiguring Rodin

David J. Getsy
Oxford Art J 2005 28:131-135.

Review: Taking off her Chemise in Public: New York Dada, Irrational
Modernism, and the Baroness Elsa von Freytag-Loringhoven

Irene Gammel
Oxford Art J 2005 28:135-138.

Review: What a Difference Nothing Makes

Gavin Butt
Oxford Art J 2005 28:138-141.

Abstracts

Oxford Art J 2005 28:143-145.

Notes on contributors

Oxford Art J 2005 28:146.

Erratum

Oxford Art J 2005 28:147.