Artibus et Historiae, no. 78 (XXXIX), 2018
Art and Culture North and South of the Alps from the Fifteenth to the Eighteenth Century.
Essays in Honour of Bernard Aikema

Guest editors: Carlo Corsato and Juliette Ferdinand


An Opening Remark (Dulcia Meijers)
Introduction (Carlo Corsato and Juliette Ferdinand)
List of Bernard Aikema’s Publications (compiled by Giulia Forti)

DENISE ZARU
Creating a Devotional Space. Architectural Metaphors in Venetian Renaissance Altarpieces

ARVI WATTEL
Good Vibrations. Mutual Love in Garofalo’s Frescoes for Antonio Costabili

BRAM DE KLERCK
Fra Bartolommeo: the Depiction of Landscape and the Use of Devotional Images

ERLEND DE GROOT
Unappealing Paintings, Great Stories: Two Still Lifes from the Kitchen of the Muiderslot

ISABELLA DI LENARDO
«Een Italische Keucken van Dirick de Vriese». Commercializzare l’identità artistica tra Venezia e il ‘Nord’

ANDREA LEONARDI
Nobili genovesi nel Regno di Napoli. Michele IV Imperiale (1719–1782), principe di Francavilla tra gusto per l’antico e cultura figurativa veneta

MARIA FORCELLINO
A Dutchman in Venice: Johan Meerman and his Grand Tour of Italy

CARLO CORSATO
Colour of Devotion: Veronese’s Crucifixion in the Musée du Louvre

THOMAS DALLA COSTA
Drawings and Draughtsmanship in Sixteenth-Century Venice: Tintoretto and Veronese in Comparison

FRANCESCA COCCHIARA
Intrecci vicentini per Giulio Carpioni e Francesco Ruschi attraverso le incisioni di Giovanni Georgi e Giacomo Ruffoni

JULIETTE FERDINAND
The French Translation of Albrecht Dürer’s 'Four Books on Human Proportion': a ‘crime de lèse majesté divine’?

ANDREA POLATI
Un Giorgione impossibile: l’'Allegoria della vita umana' e la collezione Cassinelli di Genova

ADRIANO AYMONINO
Ludovico Dolce’s 'Aretino': Its Foundational Role in the Theory of Classicism and its Eighteenth-Century Revival

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LUBOMIR KONECNY
Leonardo da Vinci’s 'Battle of Anghiari' Revisited

BARNABY NYGREN
Savoldo’s 'Saint Matthew and the Angel': Problems of Iconography and Interpretation

A. VICTOR COONIN
Beyond the Binary: Michelangelo, Tommaso de’ Cavalieri and a Drawing at Windsor Castle

GUY TAL
A Chimerical Procession: Invention, Emulation, and the Language of Witchcraft in 'Lo stregozzo'

MARILYN ARONBERG LAVIN
A Faun in Love: The Bernini Sculpture in the Metropolitan Museum of Art

MAREK WALCZAK
Between the Eternal City and Cracow. On the Origins of the Iconography of Saint Hyacinth of Poland OP (d. 1257)


For abstracts, please visit our website at:
http://artibusethistoriae.org/issue78.html