The City and the Territory: Imagining Cairo and Egypt
In August 1839, only two months after the official presentation of the new photographic method announced by François Arago at the French Academy of Science, the painter Horace Vernet, his pupil Frédéric Goupil-Fesquet and his nephew Charles-Marie Boulton boarded a ship heading towards Egypt. In their luggage they carried a new daguerreotype camera.
That was only the prologue of a genealogy of images that were then produced by the countless photographers who came to the country on the Nile. It appears to be a fruitful investigation and a good time to look at this fascination, which we consider to be an ongoing, continuous one.
Guest Editor: Harald R. Stühlinger
Content:
Harald R. Stühlinger, Ulla Fischer-Westhauser, Uwe Schögl: Editorial
Felix Thürlemann: Observing vs. Experiencing: Everyday Life in Egypt in Tourists’ Photographs of the Late 19th Century
Mercedes Volait: A Unique Visual Narrative of Historic Cairo in the 1880s – Unveiling the Work of Beniamino Facchinelli
Charlotte Malterre Barthes: Manipulative Iconographies of Nile Dams: The Political Image
Estelle Sohier: Egyptian Postcolonial Territory on behalf of Royalty: A Photographic Survey by Fred Boissonnas 1929–1932
Marlies Dornig: Conquering the Territory: The Suez Canal and its Early Depiction in Photography
Heba Farid: An Illustrated Reflection on Private Snapshots from a Mid-Century Notion of Territory
Milica Topalovic and Bas Princen in Conversation with Charlotte Malterre and Harald R. Stühlinger: The Visible and the Invisible World – Egypt, Landscapes and Territories
Harald R. Stühlinger: Myth and Phantasm. Egypt and Cairo in Photography now
Quellennachweis:
TOC: PhotoResearcher 28, 2017: The City and the Territory. In: ArtHist.net, 15.11.2017. Letzter Zugriff 24.04.2024. <https://arthist.net/archive/16714>.