Table of Contents
Articles
“A Melancholic Artist and a Choleric Publisher in Honoré Daumier's Print Series L'Imagination”
by Gal Ventura
“Originality and Freedom: The 1863 Reforms to the École des Beaux-Arts and the Involvement of Léon Bonnat”
by Alisa Luxenberg
“From Florence, to London, to New York: Mr. Morgan’s Bronze Doors”
by Lynn Catterson
New Discoveries
Nikolaĭ Gritsenko, Hollande (Holland)
by Jeroen van der Boon
Book Reviews
Les Bronzes Bardedienne: l’oeuvre d’une dynastie de fondeurs
by Florence Rionnet
Reviewed by Andrew Eschelbacher
The Deaths of Henri Regnault
by Marc Gotlieb
Reviewed by Margaret MacNamidhe
James McNeill Whistler and France: A Dialogue in Paint, Poetry, and Music
by Suzanne M. Singletary
Reviewed by Alexis Clark
Exhibition Reviews
Camille Claudel Museum
Reviewed by Maria P. Gindhart
Medardo Rosso: Experiments in Light and Form
Reviewed by Susan Waller
Frederic Bazille and the Birth of Impressionism
Reviewed by Corrinne Chong
Australia’s Impressionists
Reviewed by Alexis Clark
Degas: A New Vision and Seurat’s Circus Sideshow
Reviewed by Michelle Foa
Gauguin: Artist as Alchemist
Reviewed by Janet Whitmore
Mystical Symbolism: The Salon de la Rose+Croix in Paris, 1892–1897
Reviewed by Laurinda S. Dixon
Prints in Paris 1900: From Elite to the Street
Reviewed by Gabriel P. Weisberg
Quellennachweis:
TOC: Nineteenth-Century Art Worldwide, Autumn 2017, Vol. 16, Issue 2. In: ArtHist.net, 19.10.2017. Letzter Zugriff 20.09.2024. <https://arthist.net/archive/16525>.