Print Quarterly. The Scholarly Journal on Prints

Vol. XXXIII (2017), No. 3 (September)

Peer-reviewed international journal dedicated to the art of the print from its origins to the present.


ARTICLES

Marcantonio Raimondi’s Bacchanals: New Findings
by James Grantham Turner
259

New Thoughts on Hans Burgkmair’s Mercury, Venus and Cupid
by James Wehn
270

Print Prices in Antwerp: Rubens and his Contemporaries
by Karen L. Bowen
282

John Baptist Jackson’s Woodcuts and the Question of Embossing
by Evelyn Wöldicke
298


SHORTER NOTICE

Micrographic Allegories by Johann Michael Püchler and Matthias Buchinger
by Freyda Spira
310


NOTES

A Printed Icon in Early Modern Italy
by Ana Debenedetti
316

A Renaissance Art History of the Blockbook Canticum Canticorum
by Elizabeth Savage
319

Campagnola’s Ganymede
by Kurt Zeitler
324

The Inca Garcilaso de la Vega
by Mark Mcdonald
326

Stamperia Reale Borbonica
by Adriano Aymonino
328

Napoleonic Caricatures
by Rolf Reichardt
331

Nature Prints
by Martin Hopkinson
333

Lynd Ward
by Jake Milgram Wien
335

Corrections and Addenda
337


CATALOGUE AND BOOK REVIEWS

The Kirk Edward Long Collection of Mannerist Prints
by Nathalie Strasser
338

Mariette and the Science of the Connoisseur
by Perrin Stein
340

Degas and the Monotype
by line Clausen Pedersen
344

Aubrey Beardsley
by Susan Owens
349

The ‘Second Life’ of Matisse
by Valerie Holman
353

Double Vision: Albrecht Dürer and William Kentridge
by Joseph Leo Koerner
358