Nineteenth-Century Art Worldwide, Volume 15, issue 2
Summer 2016

Special issue: The Greek Slave by Hiram Powers: A Transatlantic Object
Martina Droth and Michael Hatt, guest editors

INTRODUCTION

The Greek Slave by Hiram Powers: A Transatlantic Object
by Martina Droth and Michael Hatt

Mapping The Greek Slave
by Martina Droth

MAKING THE GREEK SLAVE

From Skeleton to Skin: The Making of The Greek Slave(s)
by Karen Lemmey

Technical Evidence from a Greek Slave Intermediary
by L. H. (Hugh) Shockey Jr.

REPRODUCING THE GREEK SLAVE

The Greek Slave and Materialities of Reproduction
by R. Tess Korobkin

The Greek Slave and Photography in Britain
by Patrizia Di Bello

Discovering the Lost Greek Slave in a Daguerreotype
by Karen Lemmey

The Greek Slave Sings
by Tim Barringer

Alex Potts in conversation with Lily Cox-Richard: The Stand (Possessing Powers)
by Alex Potts and Lily Cox-Richard

CONTEXTUALIZING THE GREEK SLAVE

The Greek Slave on Tour in America
by Tanya Pohrt

"Robbed of his Treasure": Hiram Powers, James Robb of New Orleans, and the Greek Slave Controversy of 1848
by Cybèle T. Gontar

Prince Demidoff's Greek Slave
by Helen A. Cooper

Embodying the Octoroon: Abolitionist Performance at the London Crystal Palace, 1851
by Lisa Volpe

Sculpture, Chains, and the Armstrong Gun: John Bell's American Slave
by Michael Hatt

John Bell's American Slave in the Context of Production and Patronage
by Caitlin Beach

The Octoroon by John Bell
by Joseph Roach

Reflections on Hiram Powers’s Greek Slave
by Vivien Green Fryd