Contents of Print Quarterly, volume XXXI (2014), number 4 (December)

Articles

Willem van Nieulandt II as Printmaker
by WILLEM ADRIAAN TE SLAA 379

Touch and Vision in Edgar Degas’s Darkfield Monotypes
by KATHRYN BROWN 395

Celestial Themes, Censorship and World War I in Henry de Groux’s The Face of Victory
by STEPHEN H. GODDARD 406

Shorter Notices
A Drawing by Polifilo Zancarli for an Etching by Odoardo Fialetti
by BRYONY BARTLETT-RAWLINGS 417

Whistler and The Fall of the House of Usher
by MARTIN HOPKINSON 423

Notes

Arcadia
by MATTHIAS WIVEL 425

Francesco Vanni
by JENNIFER SLIWKA 426

Picture Motets
by ELISABETH GISELBRECHT 428

Boëtius and Schelte à Bolswert
by CHRISTOPHER BROWN 430

The Origins of Caricature
by JOHN ROGER PAAS 432

Baldinucci’s Treaty on Prints
by MICHAEL BURY 434

Visiting Boboli in the Age of Enlightenment
by ELOISA DODERO 435

G.E. Bentley Jr. and William Blake
by ANTONY GRIFFITHS 437

Thomas Bewick
by NIGEL TATTERSFIELD 437

Degas’s Method
by ANNA GRUETZNER ROBINS 438

Camille Pissarro
by KATHRYN BROWN 441

Yoshitoshi
by ELLIS TINIOS 442

Koloman Moser
by DIANE SILVERTHORNE 444

Bernard Leach
by FIONA HACKNEY 446

Eric Ravilious
by PENNY JOHNSON 448

A History of Screenprinting
by STEPHEN HOSKINS 449

Post-World War II Print Workshops in Rome
by MARTIN HOPKINSON 451

Xerography
by GUSTAVO GRANDAL MONTERO 452

Catalogue and Book Reviews

The Sorrows of Young Albrecht
by PETER PARSHALL 456

Michiel Coxcie
by EDWARD WOUK 462

The Fours Seasons Tapestries at Hatfield House
by MALCOLM JONES 466

Sex and Humour in Japanese Art
by MIRIAM WATTLES 470

The Sensuality and Modernity of Fin-de-Siècle Print Culture
by ANNA SIGRÍDUR ARNAR 473

Brian Rice
by JULIA BEAUMONT-JONES 477