Lost and Found: An Unpublished Woodcut by Pamvo Berynda by GEORGII TITOV 235

Filippo Morghen as Print Publisher in Naples: New Documents by DOMENICO PINO 246

Charles F. Greville (1749–1809) and the Print Industry by ANN V. GUNN 253

Bruce Onobrakpeya’s Printmaking: ‘Creation Has No Retirement’ by AUGUSTINA BOATENG 264

Notes

Strasbourg 1560–1600. Beyond Print by SUSANNE MEURER 278

Learning to Draw (Akte, Antike, Anatomie: Zeichnend die Welt erschliessen) by GUIDO SCHOLTEN 281

Gothic Modern – Munch, Beckmann, Kollwitz by FREYDA SPIRA 283

Henry Winstanley, 1644–1703 by ANTONY GRIFFITHS 287

Edgar Degas’s Cuff Button by MARJORIE B. COHN 287

Chromo de Bazar by CAMILLA MURGIA 288

Dance of Death (La mort dans tous ses états. Modernité et esthétique des Danses macabres, 1785–1966) by AN VAN CAMP 289

Typophoto as Perceptual Paradigm (New Typography and the Reinvention of Photography) by SABINE KRIEBEL 293

Li Hua (1907–94): Voice of the Woodcut Revolution in Modern China by GUO MEILIN and MOHD JAMIL MAT ISA 294

The Poster as Art in the People’s Republic of Poland, 1944–68 (De la résistance à l’autonomie) by CELINA FOX 297

Publications Received 299

Catalogue and Book Reviews

Art on the Move in Renaissance Italy by IRENE BROOKE 301

Jan Ponętowski’s Collection of Engravings in the Jagiellonian Library in Cracow (Kolekcja rycin Jana Ponętowskiego w zbiorach Biblioteki Jagiellon´skiej w Krakowie) by WALDEMAR DELUGA 307

Hiroshige: Artist of the Open Road by TIMON SCREECH 312

The Culley Collection at Pomona College (An Unruly Assembly: The Culley Collection of Woodblock Prints) by JAKE MILGRAM WIEN 315

Jacob Samuel and Contemporary Etching by SUSAN TALLMAN 319

Screenprints (A History) by PAUL COLDWELL 323