TOC Jun 13, 2024

Print Quarterly XLI, No. 2, June 2024

Rhoda Eitel-Porter, Print Quarterly

ARTICLES.

Hieronymus Cock’s Battle Prints Reconsidered in Light of his Siege of Centallo by PIETER MARTENS 123

Compiling Standardized Speculum Romanae Magnificentiae Albums, c. 1575–81 by MAGDALENA HERMAN 141

Simon Gribelin’s Presentation Albums by RHIAN WONG 157

NOTES

Early German Engraving before Dürer (Vor Dürer: Kupferstich wird Kunst) by MAILENA MALLACH 172

Albrecht Dürer: Gravure et Renaissance by CATHERINE JENKINS 175

The Liberna Collection, Mettingen, Germany (Storytelling: Die erzählerische Kraft der Druckgrafik and Von der Schönheit der Präzision: Faszination Buchkunst und Grafik mit der Liberna Collection) by ANTONY GRIFFITHS 177

The Power of Women – Prints from the Moret Collection (El poder de mujeres. Ecos del Weibermacht en la Colección Mariano Moret) by ELENA ESCUREDO 179

Andrea Fulvio’s Illustrium Imagines and the Beginnings of Classical Archaeology (Brian Madigan, 2023) by ANDREW BURNETT 180

Poseidon with a Bident by BERNARD BARRYTE 182

Mikhail Makhaev’s (1717–70) St Petersburg (Julia Khodko, Peterburg Mikhaila Makhaeva. Grafika I zhivopis’ vtoroi poloviny XVIII veka) by GALINA MARDILOVICH 183

Playing Cards: The Art of the Deal by SHIJIA YU 185

Promenades on Paper: Eighteenth-Century French Drawings from the Bibliothèque National de France by THEA GOLDRING 188

Edvard Munch (1863–1944) and the Avant-Garde in Paris and Berlin (Munch and his World: Graphic Arts and the Avant-Garde in Paris and Berlin) by LARS BERG 190

Hiroshige Fan Prints: The Georges Leskowicz Collection (Hiroshige. Les éventails d’Edo – Estampes de la Collection Georges Leskowicz) by ADELE SCHLOMBS 192

B.J.O. Nordfeldt: American Internationalist (Gabriel P. Weisberg / Barbara Thompson, Weisman Art Museum and Wichita Art Museum) by JULIE MELLBY 196

Albert Baertsoen (Protagoniste fin de siècle, Musée des Beaux-Arts de Gand, Ghent, 2022) by GIORGIO MARINI 199

Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection (Elizabeth Wyckoff, Saint Louis Art Museum, 2022) by LESLIE COZZI 200

The Linocuts of Les Indélicats (1932–36) (Les linogravures du groupe Les Indélicats, 1932–1936. Supports artistiques d’une contestation politique et sociale) by MARTIN HOPKINSON 203

MODERN ART REVIEWed (Art Reviews, Magazines and Gallery Bulletins in Europe, 1910–1940) by STEPHEN J. BURY 206

American Modernism (Graphic Eloquence: American Modernism on Paper from the Collection of Michael T. Ricker) by JUDITH BRODIE 209

William Kentridge: Domestic Scenes (Warren Siebrits, 2021) by PAUL COLDWELL 211

Georg Baselitz: Malelade – Suite von 148 Probedrucken by FLORIAN SIMM 212

Obituary for Jay McKean Fisher by RUTH FINE 214

Addendum (‘Orthodox Prints in the Samokov Painters’ Archive’, Print Quarterly, xxxviii, 2021) 215

Publications Received 216

CATALOGUE AND BOOK REVIEWS

Domenicus Lampsonius from Pen to Print (The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572), edited and translated by Edward Wouk) by MARISA BASS 218

Rembrandt’s Hundred Guilder Print (Amy Golahny, 2021) by JOANNA SHEERS SEIDENSTEIN 221

William Kentridge, Early Prints and Posters (Warren Siebrits, 2022) by JEAN MICHEL MASSING 227

Reference:
TOC: Print Quarterly XLI, No. 2, June 2024. In: ArtHist.net, Jun 13, 2024 (accessed Jul 6, 2025), <https://arthist.net/archive/42123>.

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