Special Workshop - Korean Art Histories and Materialities

The Institute of East Asian Art History is honored to host a workshop on Korean art on December 2.
At Heidelberg University, we have no Korean art specialists, but time and again detect fierce interest for Korean art and artifacts among our students. For the benefit of our students, the Korea Foundation helped us to locate funding to organize this special event. The presenters will introduce the students and outside guests to aspects of painting, collecting culture and history, as well as contemporary art and a female perspective on aspects of contemporary Korean life. To round off the program (see below), Professor em. Burglind Jungmann (UCLA) and Maria Sobotka, curator of the Korean collections at the Humboldt Forum, have agreed to shed some light on their ongoing projects in Germany.
Students on site are invited to join us for a viewing of Korean art objects at the local Museum of Ethnology von Portheim Stiftung in the old town.

Room – Voßstr. 2, CATS Auditorium (HS05)
Zoom - Please register here: https://eu02web.zoom.us/meeting/register/u50ofuCvrjIjG90BA-e6nMw8JBaOY0Nfnn-I#/registration

Programme:

10:00
Dr. Eleanor Hyun (Metropolitan Museum of Art)
Transmissions: Joseon Screens of Chinese Bronzes

Abstract:
This presentation focuses on late-Joseon screens that depict Chinese bronzes. Comparing the bronzes that are depicted and closely examining the manner in which they are portrayed, the presentation looks at the connection between image and text. Considering the source imagery and medium, the screens will be discussed through the lens of intermediality and materiality.

11:30
Dr. Charlotte Horlyck (SOAS)
Early Western Approaches to Korean Buddhist Art

Abstract:
Western-language scholarship on Korean Buddhist art began in the mid-19th century, initiated by translations of Japanese historical sources, such as the Nihon Shoki and the Kojiki. These early writings portrayed Korea as the initiator of Japanese art and credited Korean craftspeople for establishing the production of outstanding works of art on the Japanese archipelago. A case in point is The Pictorial Arts of Japan by William Anderson, an influential British collector of Japanese art. Published in 1886, Anderson claimed that “the casting of some of the greatest Buddhist bronzes was effected under the superintendence of Korean workmen.” Thus, at a time when little was known about Korea, and Chosŏn had only just opened its ports, early scholarship on East Asia portrayed the Korean peninsula as having been once seeped in Buddhist tradition and rich in Buddhist art. However, in contrast to Korean ceramics which were consumed in increasingly large numbers in America and Europe from the 1870s onwards, Korean Buddhist art did not attract much attention from Western collectors, especially not in the nineteenth century. Rather Western collectors focused their passion for Buddhist art on material and sites found in China and Japan. Given the accolades bestowed on Korean craftsmen by Western scholars and collectors, we may question why. The paper explores the factors that may have influenced early approaches to Korean Buddhist art, from a value oriented understanding of East Asian art to the availability of artefacts, among other issues.

12:20
Maria Sobotka (Humboldt Forum)
The Korean Collections in the Humboldt Forum, Berlin

14:30
Dr. Sunglim Kim (Dartmouth College)
Korean Art from a Women’s Perspective

Abstract:
Yun Suknam (b. 1939) is one of the earliest and most active feminist artists in Korea. Begun her artistic activity in her 40s, Yun passionately pursued creating artworks focusing on gender equality in diverse media. Since her first artistic training with calligraphy and drawing at her age of 36, Yun experimented with oil and acryl paints, woodblock sculpture, drawing, and installation art with mixed media. Collaborating with other women artists, she published the feminist magazine called If and attempted re-interpreted the motherhood and wrote Korean art herstory (as opposed to history) last four decades. In this presentation, we will explore the Korean feminist themes, issues, and history through Yun’s artworks and art projects and understand how feminism in Korean art world has developed (and still being challenged).

15:30
Prof. em. Burglind Jungmann (UCLA)
Early Photographs of Korea

17:00
Völkerkundemuseum Heidelberg, von Portheim Stiftung
Museum Visit and Object viewing

We are looking forward to welcome you in Heidelberg or online!

Katharina S. Rode-Kaya (she/her)

Wissenschaftliche Assistentin Japan
Assistant Professor for Japanese Art History
Institut für Kunstgeschichte Ostasiens
CATS, Zentrum für Ostasienwissenschaften
Ruprecht-Karls-Universität Heidelberg
Voßstraße 2, Gebäude 4120, 1. OG, Raum 02
69115 Heidelberg

Tel.: 06221-54-15377
e-mail: katharina.rodezo.uni-heidelberg.de