Contents:

Christoper Daly, ‘A New Florentine Painter for the Late Quattrocento: the Master of the Samaritan Woman (and a note on a forgotten tondo by Raffaellino del Garbo)’

Paul Joannides, ‘Two bronze Crucifixion groups designed by Michelangelo’

Peter Humfrey, ‘From the Schoolmaster to the Tailor: collecting Moroni in Britain in the First Half of the Nineteenth Century’

Helen Hillyard and Nicole Ryder, ‘Thinking in paint: new discoveries from the technical examination of Giovanni Battista Tiepolo’s Joseph Receiving Pharaoh's Ring at Dulwich Picture Gallery’

Exhibition review:
Beverly Louise Brown, ‘Donatello: The Renaissance. Palazzo Strozzi and Museo Nazionale del Bargello, Florence, 19 March - 31 July 2022’

Exhibition review:
Piers Baker-Bates, ‘Raphael. National Gallery, London, 5 March - 31 July 2022’

Colnaghi Studies Journal is published biannually by the Colnaghi Foundation, and produced by the Athena Art Foundation. Its purpose is to publish texts on significant pre-twentieth-century artworks that have recently come to light or about which new research is underway, as well as on the history of their circulation and collection.

For more information please write to: journalcolnaghi.com
https://colnaghifoundation.org/studies-journal.php
https://www.athenaartfoundation.org/colnaghi-studies-journal