Artibus et Historiae, no. 76 (XXXVIII), 2017

Studies in Renaissance Art and Culture in Honour of Debra Pincus
Guest Editor: Sarah Blake McHam

SUSANNAH RUTHERGLEN
‘Resplendent Brushes’: Giovanni Bellini’s 'Resurrection' Altarpiece for San Michele di Murano, Venice

ALISON LUCHS
Titian, Friendship, and the Vienna 'Ecce Homo' for Giovanni d’Anna

PATRICIA FORTINI BROWN
Vain Legislation against 'vana ostentazione': Sumptuary Laws in the Venetian Dominion

SARAH BLAKE McHAM
Voids Matter: Donatello’s 'Lamentation'

CLAUDIA KRYZA-GERSCH
Confusing Signatures on Bronzes: Sculptor and Castor in Renaissance Venice

JoAnne G. BERNSTEIN
Medea Colleoni: A Renaissance Tomb of Her Own by G. A. Amadeo

SHELLEY E. ZURAW
An Axis for Quattrocento Tomb Design: From Florence to Venice, Naples, and Rome

JACK FREIBERG
Bramante’s Portrait Medal: Classical Hero/Christian Architect

BRONWEN WILSON
The Itinerant Artist and the Islamic Urban Prospect: Guillaume-Joseph Grélot’s Self-portraits in Ambrosio Bembo’s 'Travel Journal'

EMILY PEGUES
Jan Borreman’s Wooden Models for Bronze Sculpture: A Documentary Reconstruction

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THERESA FLANIGAN
Women’s Speech in the Tornabuoni Chapel

STEFANIA PASTI
Committenza e iconografia nella Pala Fugger di Giulio Romano

MARCIN FABIAŃSKI
The Beginnings of Woodcut Portrait in Poland. The Images of King Sigismund I against their Literary Background

JAMIE MULHERRON
Raphael, Michelangelo and Heliodorus: Intermutations on the 'figura serpentinata'

CHARLES BURROUGHS
Botticelli’s Stone: Giorgio Vasari, Telling Stories, and the Power of Matter (pp. 297–325)

For abstracts see:
http://artibusethistoriae.org/issue76.html

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