TOC 14.01.2018

De arte vol. 52, 2-3/2017

Bernadette Van Haute, University of South Africa

De arte vol. 52, 2-3/2017

Contents:

Articles

Hysterical representation in the art of Mary Sibande
Anne Scheffer, Amanda du Preez and Ingrid Stevens

The Anthropocene shifts in visual arts – a case against anthropocentrism
Ania Krajewska

‘Dada South? Experimentation, radicalism and resistance’: Dada’s legacies from South African perspectives
Denise Toussaint

Freedom through art: educational policy and practice at Michaelis School of Fine Art, 1971-1989
Anna Tietze

Art history is dead; long live art history!
Alison Kearney

Book Reviews

Sue Williamson: Life and work
Reviewed by Brenda Schmahmann

Santu Mofokeng, a silent solitude: Photographs 1981-2011
Reviewed by Michael Godby

The art of life in South Africa
Reviewed by Elizabeth Rankin

Photography in and out of Africa: Iterations with a Difference
Reviewed by Malcolm Corrigall

Home/Land: Women, Citizenship, Photographies
Reviewed by Irene Bronner

de arte is a peer-reviewed journal that publishes original research in the visual arts, art history, art criticism and related disciplines. It is co-published three times a year by Routledge, an imprint of Taylor & Francis, an Informa business, 4 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN, UK and Unisa Press, Theo van Wijk Building, University of South Africa, Preller Street, Muckleneuk, Pretoria, 0003, South Africa.
ISSN 2471-4100 (Online), ISSN 0004-3389 (Print).

The journal can be accessed at: http://www.tandfonline.com/loi/rdat20

Quellennachweis:
TOC: De arte vol. 52, 2-3/2017. In: ArtHist.net, 14.01.2018. Letzter Zugriff 29.03.2024. <https://arthist.net/archive/17060>.

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