The 19th issue of Object: Graduate Research and Reviews in the History of Art and Visual Culture is now published and freely available online: http://ojs.lib.ucl.ac.uk/index.php/OBJ

Object is a journal produced entirely by graduate students in the History of Art Department at University College London. As with previous editions, the essays and reviews included represent the wide range of historical and theoretical concerns of our current research students.

CONTENTS

Articles

Violent Erasures: Atrocity, Photographic Archives and the Algerian War of Independence (1954–62)
Katarzyna Falęcka

The Intimate Contract of Photography: Haleema Hashim’s Practice and its Afterlives
Mallika Leuzinger

The Cost of Sympathy: Towards a Visual Economics of John Webber’s ‘Atlas’
Ben Pollitt

The Body Re-Imagined: The Bizzarie di Varie Figure and Performative Cycles of Prints in Seventeenth-Century Florence
Laura Scalabrella Spada

The Limits of Seeing and Knowing: Early Modern Anatomy and the Uterine Membranes
Rebecca Whiteley

Reviews

Filip De Boeck and Sammy Baloji, Suturing the City: Living Together in Congo’s Urban Worlds, Autograph ABP, London, 2016
Gabriella Nugent

‘Simon Fujiwara: Joanne’, The Photographers’ Gallery, London, 7 October 2016 – 29 January 2017
Marta Zboralska

‘A Feast for the Senses: Art and Experience in Medieval Europe’, Walters Art Museum, Baltimore, 16 October 2016 – 8 January 2017
Euan McCartney Robson

Christian Mieves and Irene Brown (eds), Wonder in Contemporary Artistic Practice, Routledge, New York and London, 2017
Sarah Wade

‘Opus Anglicanum: Masterpieces of English Medieval Embroidery’, Victoria and Albert Museum, London, 1 October 2016 – 5 February 2017
Lauren Rozenberg

‘Jana Euler’, Cabinet, London, 19 January – 11 March 2017
Helena Vilalta