Artibus et Historiae, no. 75 (XXXVIII), 2017

ANTHI ANDRONIKOU
Visual Anachronisms in Context: Religious Painting in Venetian Cyprus and Medieval Bolognese Manuscripts (pp. 9–31)

DOBROSŁAWA HORZELA
Voluntary Poverty and the Relation of Potential Text and Image in the Stained-Glass Cycle of St Alexis in Königsberg in der Neumark (present-day Chojna, Western Pomerania) (pp. 33–49)

STEVEN J. CODY
Mantegna and the Orators: The Invention of the Mars and Venus for Isabella d'Este Gonzaga (pp. 51–77)

ALLISON FISHER
Portraits of Alexander the Great During the Italian Renaissance (pp. 79–96)

LIVIO PESTILLI
On The Crucifixion of St Peter Relief in Bramante's Tempietto (pp. 97–125)

STEFANO COLOMBO
Portraits of Sovereignty: Jacopo Palma Giovane and the Doges' Commemorative Cycle in the Doge's Palace, Venice (pp. 127–148)

JACK WASSERMAN
Jacopo Pontormo's Virgin and Child with Saint Anne in the Louvre (pp. 149–163)

CYRIL GERBRON
Présences énigmatiques: les natures mortes de Juan Sánchez Cotán (pp. 165–180)

CATHERINE HUNT
The Saltonstall Family: A Study of Time, Space and Memory (pp. 181–193)

STEFANO PIERGUIDI
Ferrata e Guidi, 'giovani' di Algardi, in Sant'Agnese: una contesa interna (pp. 195–205)

ALEXANDRA LIBBY
Innovation and Identity in Cornelis Gijsbrechts' A Hanging Wall Pouch (pp. 207–223)

LIANA DeGIROLAMI CHENEY
Giulia Lama: A Luminous Painter and a Tenebrist Poet (pp. 225–252)

WOJCIECH BAŁUS
'Je suis celui qui sui'. Text, Ornamental Form, and Epiphany in Jozef Mehoffer's God the Father Stained Glass in Freiburg (Switzerland) (pp. 253–263)

CONRAD RUDOLPH, AMIT ROY-CHOWDHURY, RAMYA SRINIVASAN, AND JEANETTE KOHL
FACES: Faces, Art, and Computerized Evaluation Systems – A Feasibility Study of the Application of Face Recognition Technology to Works of Portrait Art (pp. 265–291)


For abstracts see:
http://artibusethistoriae.org/issue75.html

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