(Dis)Place: New Directions in the History of Art in Israel
The conference aims to revisit basic questions about locality, identity and belonging in relation to the hierarchies of different narratives and the canon of art in Israel, as well as to introduce new questions about space, time and alterity. The conference will map critical strategies and discuss new frameworks for thinking of histories of art and political conditions in Israel while dismantling the borders of that field – imaginary and concrete, thus serving as a venue to contemplate identities of artists working in and outside the state of Israel in an age of globalization and trans-nationalism. Also, an intersectional approach that considers multiple and overlapping identity categories, such as religion and nationality, will serve to discuss different case studies.
Among the questions critical to the conference are: In what ways have migration and the plurality of cultures in Israel impacted artistic production? How can the developments of art's relation to nationalism in Israel be reconsidered in light of global art history? Has the canon of art in Israel undergone significant revision, and what are its dynamics of inclusion and exclusion? Thus, this conference aims to carve out new understandings of prevailing narratives while destabilizing established notions of self, state, and belonging.
No registration deeded, no fee required to attend.
Link to the conference site: http://israeliarttau.wixsite.com/displace/schedule
PROGRAMME
09:00- 09:30
Gathering
09:30
Greetings
Chair: Assaf Pinkus, Chair of TIAF and organizer of the conference, Tel Aviv University
Zvika Serper, Dean of the Yolanda and David Katz Faculty of the Arts, Tel Aviv University
Sefy Hendler, Head of the Art History Department, Tel Aviv University
Mrs. Dorothy Cohen Shoichet, Toronto
10:00-11:00
Keynote Lecture
Chair: Tal Dekel, Tel Aviv University
Israeli art – Inside Out Historiographies
Gannit Ankori, Brandeis University
11:00-11:30
Coffee Break
11:30-13:00
Session 1: Activism and Transgression
Chair: Ayelet Zohar, Tel Aviv University
The Exterritory Project
Maayan Amir, University of Haifa
Betrayal and the Curatorial
Joshua Simon, MOBY - Bat Yam Museum
Trading Zone: Authority and Art in Public Spaces
Neta Meisels, 'HaMiffal' project and the 'Empty House' Collective, Jerusalem
13:00-14:30
Lunch Break
14:30-16:00
Session 2: Identity, Place, and Belonging
Chair: Rona Sela, Tel Aviv University
Palestinian Art: Creativity in the Shadow of the Conflict
Housni Alkhateeb Shehada, Levinsky College of Education
Collective Remembrance and Fragile Landscapes
Hannah Braun, Boston University
Sivan Rajuan Shtang, Shenkar College of Engineering and Design and Sapir College
16:00-16:15
Coffee Break
16:15-17:45
Session 3: Gendered Aspects of Art
Chair: Ruth Iskin, Ben Gurion University
Alternative Visions of Nation-Building, German-Jewish Women Photographers after 1933
Anna Sophia Messner, Max-Planck Institute, Florence
Cleansing and Annihilation in Palestinian Women's Art: A Political Context
Aida Nasrrallah, Beit Berl College
Jewish Orthodox Feminist Art: Institutional Criticism of the Rabbinical Establishment
David Sperber, Bar Ilan University
17:45-18:15
Coffee Break
18:15- 19:45
Session 4: Mizrahi Israeli Art
Chair: Orly Shevi, Tel Aviv University
Forbidden Inheritance – Aesthetics, Rituals, and Identity Codes in Video Art
Dafna Shalom, Bezalel Academy of Arts, activist and artist
"My Heart at East" –On Allocation of National Cultural Budgets
Shula Keshet, feminist artist and curator, CEO of "Achoti – for Women in Israel"
The Identity Scratch – The Chronicle of Mizrahi Art
Haviva Pedaya, Ben Gurion University
Tuesday, May 18, 2017
09:30
Gathering
10:00-11:30
Session 1: Migration and Transnationalism
Chair: Naama Klorman-Eraqi, Tel Aviv University
The Iconic Face of Transnational Art in Israel: Our Lady of South Tel Aviv
Anastasia Keshman Wasserman, The Van Leer Jerusalem Institute
Return to Zion: Art and Zionism in the Czech Lands
Eva Janacova, Institute of Art History, Prague
The Return of Handicraft as Political Activism: Displacement, Exclusion, Solidarity
Yael Guilat, Oranim Academic College & Shoshi Waksman, Independent scholar
11:45-12:15
Special performance
Anisa Ashkar
12:30-13:45
Lunch Break
13:45-15:45
Session 2: On Curators and Museums
Chair: Mira Banay, Tel Aviv University and the Open University
The Performative Turn in Israeli Curatorial Practice
Dror Harari, Tel Aviv University
Reshaping the Past: On Reconstructed Exhibitions
Osnat Zukerman Rechter, Independent scholar
Modern Calls, Mental Walls
Jelle Bouwhuis, the Vrije Universiteit, Amsterdam
From Nationalism to Universalism: The Bezalel Museum between Wars
Shir Kochavi, University of Leeds
15:45-16:15
Coffee Break
16:15 17:45
Session 3: Reconsidering the Canon
Chair: Nava Sevilla Sadeh, Tel Aviv University
Absentees; Historiography as Critique
Dalia Manor, Ben Gurion University
Where was the Voice in the 1970? On Authenticity in the art of Michal Na'aman
Ela Krieger, Jacobs University
Post-Structuralist Critique Reconsidered
Merav Yerushalmy, Ben Gurion University
Special Performance
Shahar Marcus
18:15-18:30
Coffee Break
18:30-19:30
Keynote Lecture
Chair: Adi Louria Hayon, Tel Aviv University
Gender, Migration and Transnationalism: The Case of Chana Orloff
Paula Birnbaum, University of San Francisco
Quellennachweis:
CONF: New Directions in the History of Art in Israel (Tel Aviv, 17-18 May 17). In: ArtHist.net, 12.05.2017. Letzter Zugriff 15.07.2025. <https://arthist.net/archive/15499>.