Art History for Artists:
Interactions Between Scholarly Discourse and Artistic Practice in the 19th Century
INTERNATIONAL CONFERENCE
BERLIN, JULY 7-9, 2016
Technische Universität Berlin - Main Building
Straße des 17. Juni 135, 10623 Berlin
PROGRAMME
Thursday July 7, 2016 – Room H 3005
14.30
Registration
15.00
Eleonora Vratskidou, Alexander von Humboldt Stiftung/Technische Universität Berlin
Introduction: Art history, a discipline rooted in practice?
I. Art history in the art school: Institutional frameworks
Panel 1
Chair: Olga Medvedkova, CNRS-ENS
15.30
Heinrich Dilly, Martin-Luther-Universität Halle-Wittenberg
Christian Friedrich Prange (1756-1836) und die älteste Provinzialkunstschule Preußens in Halle an der Saale
15.55
Eric Garberson, Virginia Commonwealth University
Wilhelm Stier’s (1799-1856) architectural history at the Bauakademie, Berlin
16.20
Discussion
17.00
Coffee break
Panel 2
Chair: Olga Medvedkova, CNRS-ENS
17.30
Pascal Griener, Université de Neuchâtel
Another wolf in the sheep yard: David Sutter (1811-1880) and the teaching of art history at the École des beaux-arts in Paris
17.55
Annalea Tunesi, Independent researcher
The polymath Aleardo Aleardi (1812-1878), professor of estetica applicata alle arti at the Art Academy in Florence
18.20
Foteini Vlachou, Universidade Nova de Lisboa
Defining the object of art history: Teaching at the Lisbon Academy of Fine Arts c. 1874-1911
18.45
Discussion
19.30
Reception
Friday July 8, 2016 – Room 1035
I. Art history in the art school: Institutional frameworks
Panel 3
Chair: Andrea Meyer, Technische Universität Berlin
9.30
Bénédicte Savoy, Technische Universität Berlin
Das Museum als Ort der Künstlerausbildung um 1800
9.55
Deborah Schultz, Regent’s University London/University of Oxford
Photo archives and the role of photography in art education: The case of the Royal Academy in London in the late 19th century
10.20
Julia Witt, Technische Universität Berlin
Die Kunstgeschichte und die Reformen der deutschen Kunstakademien ab 1910. Eine unauflösliche Diskrepanz?
10.45
Discussion
11.30
Coffee break
II. Art history and the art of the present: Scholars and artists
Panel 1
Chair: Hubert Locher, Philipps-Universität Marburg
12.00
Robert Skwirblies, Technische Universität Berlin
„Die Einfalt der alten Zeiten“ und eine Bürgerschaft von Künstlern: Geschichtskonstruktion als Programmatik bei Johann David Passavant um 1820
12.25
Spyros Petritakis, University of Crete
Rudolf Steiner’s engagement with contemporary artists’ groups: Art-theoretical discourse within the anthroposophical milieu in Germany in the early 20th century
12.50
Émilie Oléron Evans, Institut d’Études Avancées, Strasbourg
Crafting the history of decorative arts: Das Kunstgewerbe in Elsass-Lothringen (1900-1906)
13.15
Discussion
14.00
Lunch break - free time
Panel 2
Chair: Hubert Locher, Philipps-Universität Marburg
15.30
Petra Brouwer, University of Amsterdam
Colliding times: The contemporary in 19th-century architectural history books
15.55
Melanie Sachs, Philipps-Universität Marburg
Vom Nutzen und Nachteil der Kunstgeschichte für die mitlebende Kunst: Historismuskritik in kunsthistorischen Schriften um 1900
16.20
Yannis Hadjinicolaou, Humboldt Universität Berlin
‘Die Neue Sachlichkeit Rembrandts’: Aby Warburg’s Claudius Civilis
16.45
Discussion
17.30
Coffee break
Panel 3
Chair: Eleonora Vratskidou, Alexander von Humboldt Stiftung/Technische Universität Berlin
18.00
Pier Paolo Racioppi, IES Abroad Italy, Rome
The men of letters and the teaching artists: Debating invention at the Accademia di San Luca in Rome during the first decades of the 19th century
18.25
Lena Bader, Deutsches Forum für Kunstgeschichte Paris
Künstler vs. Kunsthistoriker? Streit der Interpretationen im Holbein-Streit
18.50
Discussion
Saturday July 9, 2016 – Room 1035
III. Art history by artists: The artist as producer of art discourse
Panel 1
Chair: Eleonora Vratskidou, Alexander von Humboldt Stiftung/Technische Universität Berlin
10.00
Claire Barbillon, Université de Poitiers
How did 19th-century French sculptors write the history of ancient Greek sculpture?
10.25
Wibke Schrape, Museum für Asiatische Kunst, Staatliche Museen zu Berlin
From artists to art historians: Art discourse in transition in 19th-century Japan
10.50
Discussion
11.30
Coffee break
Panel II - Chair: Bärbel Küster, Technische Universität Berlin
12.00
Michael Thimann, Georg-August-Universität Göttingen
Kunsthistorisches Praxiswissen: Carl Wilhelm Oesterley (1805-1891) als Professor an der Universität Göttingen
12.25
Margherita D’Ayala Valva, Scuola Normale Superiore in Pisa
Artists’ reading and copybook practice as a form of self-taught education
12.50
Anne Gregersen, University of Copenhagen
Artists’ collections as producers of alternative art historical narratives: The example of J. F. Willumsen’s collection
13.15
Discussion
14.00
Lunch break - free time
Panel 3
Chair: Pascal Griener, Université de Neuchâtel
16.00
Léa Kuhn, Ludwig-Maximilians-Universität München
Configuring the gaze: Matthew Pratt’s painterly in(ter)vention
16.25
France Nerlich, Université François-Rabelais de Tours
Setting new paradigms for art and science: Art history by Friedrich Overbeck and Paul Delaroche
16.50
Jan Dirk Baetens, Radboud University Nijmegen
Bruegel the Elder, Bruegel the much much Younger, and the Antwerp Raphael: The invention of Pieter Bruegel the Elder in the work of Henri Leys and his followers
17.15
Discussion
18.00
Closing roundtable
Convenor/Concept:
Eleonora Vratskidou
Alexander von Humboldt Postdoctoral Fellow
Technische Universität Berlin
Institut für Kunstwissenschaft und Historische Urbanistik
Fachgebiet Kunstgeschichte der Moderne
Scientific Committee:
Heinrich Dilly, Martin-Luther-Universität Halle-Wittenberg
Pascal Griener, Université de Neuchâtel
Hubert Locher, Philipps-Universität Marburg
Olga Medvedkova, CNRS-ENS (Centre Jean Pépin)
Michela Passini, CNRS-ENS (IHMC)
Matthew Rampley, University of Birmingham
Bénédicte Savoy, TU Berlin
Eleonora Vratskidou, TU Berlin
http://arthistoryforartists.com/
http://www.kuk.tu-berlin.de/
Quellennachweis:
CONF: Art History for Artists (Berlin, 7-9 Jul 16). In: ArtHist.net, 23.06.2016. Letzter Zugriff 31.01.2025. <https://arthist.net/archive/13345>.