ZOGRAF
A Journal of Medieval Art
Number 49 (2025)

Published by the Institute of Art History, Faculty of Philosophy, University of Belgrade

CONTENTS

ARTICLES

From imperial patron saint to eucharistic typos. St. Elijah’s iconography within Byzantine imperial patronage and liturgical practice
by ELISABETA NEGRĂU
pp. 1–26
https://doi.org/10.2298/ZOG2549001N

The cultural and historical significance of the Martvili-Chkondidi cathedral (Georgia) and its eleventh- and twelfth-century decoration in the context of Byzantine art
by NINO CHIKHLADZE
pp. 27–42
https://doi.org/10.2298/ZOG2549027C

“In the bosom of Abraham”. Reevaluating the central figure in the arcosolium of the crypt of Saint Christina in Carpignano Salentino
by DRAGAN VOJVODIĆ
pp. 43–70
https://doi.org/10.2298/ZOG2549043V

Representation of the Parable of the Sower in the Miroslav Gospel
by MIODRAG MARKOVIĆ
pp. 71–86
https://doi.org/10.2298/ZOG2549071M

A story beyond narrative? Remarks on an unusual cycle of the life of St. George in Venetian Crete
by NICOLAS VARAINE
pp. 87–96
https://doi.org/10.2298/ZOG2549087V

The Holy Martyrs Sts. Sabel and Ismael of Persia in the katholikon of the Treskavac Monastery. A contribution to the research of their iconography
by SAŠO CVETKOVSKI and GORDANA KELIĆ
pp. 97–120
https://doi.org/10.2298/ZOG2549097C

Kings of the earth. Representations of emperors Dušan and Constantine the Great in the illustration of Ps 148 in Lesnovo
by ANA VRANJEŠ
pp. 121–144
https://doi.org/10.2298/ZOG2549121V

Monastic themes in the frescoes under the choir of the Church of the Assumption on Volotovo Field and the Prologue
by TATIANA TSAREVSKAYA
pp. 145–170
https://doi.org/10.2298/ZOG2549145C

Observations about the first iconographic layer of the Old Katholikon of the monastery of Kalami, Arcadia (end of the fourteenth–beginning of the fifteenth century)
by PANAGIOTA KATOPODI
pp. 171–194
https://doi.org/10.2298/ZOG2549171K

Un détail apocryphe inhabituel dans la « Trinité vétérotestamentaire » du monastère de Dragalevtsi
by GEORGI PETROV GEROV
pp. 195–206
https://doi.org/10.2298/ZOG2549195G

Revisiting the damaged scenes in the Hopovo cycle of the Acts of the Apostles
by VELJKO GOGANOVIĆ
pp. 207–230
https://doi.org/10.2298/ZOG2549207G

BOOK REVIEWS

Anna Paranou, Eucharistische Themen im Bildprogramm des Narthex in der spätbyzantinischen Zeit, review by JELENA BOGDANOVIĆ, pp. 231–233

Ε. Ν. Τσιγαρίδας, Κ. Λοβέρδου-Τσιγαρίδα, Η ζωγραφική των Αγίων Αποστόλων Θεσσαλονίκης. Ψηφιδωτά – τοιχογραφίες; Ε. Ν. Τσιγαρίδας, Οι τοιχογραφίες της Παλαιάς Μητροπόλεως Βέροιας (12ος–14ος αι.), review by ANNA ZAKHAROVA, pp. 234–237

Niamh Bhalla, Experiencing the Last Judgement, review by JAKOV ĐORĐEVIĆ, pp. 238–239

Type and archetype in Late Antique and Byzantine art and architecture, edited by Jelena Bogdanović, Ida Sinkević, Marina Mihaljević, Čedomila Marinković, review by MARKA TOMIĆ, pp. 240–242

Maria Alessia Rossi, Visualizing Christ’s miracles in Late Byzantium. Art, theology, and court culture, review by ANĐELA GAVRILOVIĆ, pp. 243–246

Cvetan Grozdanov, Sašo Cvetkovski, Sveti Kliment Ohridski. 190 portreti, review by DRAGAN VOJVODIĆ, pp. 247–248

Zograf welcomes submissions of original, unpublished papers on Eastern Christian medieval art and architecture. The journal is published once a year in print and online and follows a Diamond Open Access model, with articles freely accessible and no publication fees charged to authors. Contributions are accepted in English, French, Greek, German, Italian, Russian, and Serbian. The journal is indexed in AHCI, Scopus, and DOAJ. Submission guidelines and further information are available at https://doiserbia.nb.rs/journal.aspx?issn=0350-1361. For inquiries, please contact zograff.bg.ac.rs.