Contents
A Portrait of Israhel and Ida van Meckenem by CAROLYN YERKES 259
A comprehensive examination of Israhel’s van Meckenem’s engraved portrait of himself and his wife. The author proposes that the print was meant to serve several functions, including helping to establish Ida’s role in the business even after Israhel’s death, and possibly even providing a substitute registration mark, filling in for their physical presence in markets where they could not register.

John Constable’s Working Relationship with David Lucas on the English Landscape Series by ELENOR LING and HARRY METCALF 272
This paper examines the partnership between the engraver David Lucas (1802–81) and the painter and draughtsman John Constable (1776–1837) in the creation of the mezzotint print series English Landscape. It outlines what is known about their working methods and Constable’s treatment of Lucas in times of dissatisfaction with his work. The problems and gaps in existing scholarship and the methodology here used for analysing 'A Mill', one of the prints from the series, is discussed, describing its development in light of Constable’s requested changes. The conclusion asserts that Lucas’s contribution to developing the image was more significant than previously recognized.

An Activist Art: The Anti-Apartheid Prints of Norman Kaplan (b. 1947) by JULIAN STALLABRASS 286

Shorter Notices
A ‘Power of Women’ Series by Peter Flötner by LÉA MONTEIL 297

Lithographs from Shanghai of the East Turkestan Engravings, 1890 by NIKLAS LEVERENZ 301

Notes
A History of Women Artists in Europe, 1400–1800 (Making Her Mark: A History of Women Artists in Europe) by DAGMAR KORBACHER 307

Southern Netherlandish Thesis Prints (Early Modern Thesis Prints in the Southern Netherlands: An Iconological Analysis of the Relationship between Art, Science and Power) by DANIEL GODFREY 310

Visualising Protestant Monarchy: Ceremony, Art and Politics after the Glorious Revolution (1689–1714) by MEREDITH M. HALE 313

Claude Gillot as Satirist (Claude Gillot: Satire in the Age of Reason) by RENA M. HOISINGTON 315

John Baptist Jackson in Venice (L’arte di tradurre l’arte: John Baptist Jackson incisore nella Venezia del Settecento) by MICHAEL SNODIN 317

Drawings for Engravings in Eighteenth-Century Spain (Del lapicero al buril. El dibujo para grabar en tiempos de Goya) by BENITO NAVARRETE PRIETO 320

Reproductive Printmaking and Art Illustrations in the Eighteenth and Nineteenth Centuries (La storia dell’arte illustrata e la stampa di traduzione tra il XVIII e il XIV secolo) by GIORGIO MARINI 324

Audubon as Artist (Audubon as Artist: A New Look at The Birds of America) by JULIE MELLBY 328

Books and Graphic Design in Latin America, 1920–1940 (Diagramming Modernity: Books and Graphic Design in Latin America) by MARK MCDONALD 329

Honoré Daumier: The Hellwig Collection (Honoré Daumier: Die Sammlung Hellwig) by ANASTASIA BELYAEVA 333

Why I Collect by ANTOINE ROUILLÉ D’ORFEUIL 336

The London Original Print Fair (The Great War: Britain’s Efforts and Ideals) by SILVIA MASSA 337

The Paris Print Fair by SILVIA MASSA 338

Catalogue and Book Reviews
Early Colour Printing: German Renaissance Woodcuts by ACHIM RIETHER 339

Berlin’s Collection of Prints by Dürer (Dürer fur Berlin. Eine Spurensuche im Kupferstichkabinett) by KSENIJA TSCHETSCHIK-HAMMERL 343

Guillaume Lethière by THEA GOLDRING 347

Marie Duval (1847–90) Victorian Cartoonist by RICHARD TAWS 353

The Grosvenor School Linocut by STEPHEN COPPEL 357