American Art

Volume 21, Number 1
(Spring 2007)

is now available
at http://www.journals.uchicago.edu/cgi-bin/contents?AmArt+v21n1

Table of Contents

COMMENTARIES
Modern Craft and the American Experience
Edward S. Cooke Jr.
Page 2 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211002 ]

Time in Mid-Twentieth Century Ceramics
Andrew J. Perchuk
Page 10 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211010 ]

Craft and the Romance of the Studio
Glenn Adamson
Page 14 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211014 ]

When Is a Teapot Not a Teapot?
Mary Douglas
Page 19 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211019 ]

Primary Sources for the Study of Studio Craft
Liza Kirwin
Page 23 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211023 ]

FEATURE ARTICLES
"How It Works"
Stroke, Music, and Minimalism in Robert Ryman's Early Paintings
Vittorio Colaizzi
Page 28 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211028 ]

H. H. Moore's Almeh and the Politics of the Centennial Exhibition
Kimberly Orcutt
Page 50 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211050 ]

Double Consciousness in Mexico
How Philip Guston and Reuben Kadish Painted a Morelian Mural
Ellen G. Landau
Page 74 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211074 ]

PERSONAL SELECTION
Decoding Fairfield Porter's July Interior
Christopher Bartlett
Page 98 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211098 ]

APPRECIATION
Ray Strong (1905-2006)
Populist Landscape Painter
Jane Dini
Page 106 [ http://www.journals.uchicago.edu/cgi-bin/resolve?AmArt211106 ]