ART HISTORY, vol. 24, nr. 4, Sept. 2001
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Robin Adele Greeley, 'Dali's Fascism: Lacan's Paranoia', pp.465-92
Christopher G. Hughes, 'Embarras and Disconvenance in Poussin's Rebecca and
Eliezar at the Well, pp. 493-519
Michael Cole, 'The Figura Sforzata: Modeling, power and the Mannerist body',
pp. 520-551
Dan Karlholm, 'Reading the Virtual Museum of General Art History', pp. 552-577
Elizabeth Marlowe, 'Cold War Illuminations of the Classical Past: The Sound
and Light Show on the Athenian Acropolis', pp. 578-597
REVIEW ARTICLES:
Charles Harrison, 'The Difficulty of Rothko', review of David Anfam, Mark
Rothko; Jeffrey Weiss, ed., Mark Rothko; Sheldon Nodelman, The Rothko Chapel
Paintings
Johan Ahr, 'Renoir Reread', review of Robert L. Herbert, Nature's Workshop:
Renoir's Writings on the Decorative Arts
Adrian Lewis, 'Place and Meaning', review of Paul H. Tucker, The
Impressionists at Argenteuil
Steven Harris, 'Occluded Front', review of David Lomas, The Haunted Self:
Surrealism, Psychoanalysis, Subjectivity
Shorter reviews of:
Deborah Howard, Venice and the East
Frederika H. Jacobs, Defining the Renaissance Virtuosa
Geraldine A. Johnson and Sara F. Matthews Grieco, Picturing Women in
Renaissance and Baroque Italy
Daniel D. Reiff, Houses form Books
Quellennachweis:
TOC: Art History, 24, 4, Sept. 2001. In: ArtHist.net, 08.11.2001. Letzter Zugriff 29.03.2024. <https://arthist.net/archive/24740>.