Artibus et Historiae, no. 81 (XLI), 2020
Papers in Honour of William L. Barcham
Guest Editors: Stefania Mason and Peter Humfrey

Introduction (pp. 9–10)
William L. Barcham – List of Publications (pp. 11–12)

FULVIO ZULIANI
Strategie narrative e spaziali nelle Storie di Sant’Orsola di Tomaso da Modena a Treviso (pp. 13–23)

HELENA KATALIN SZÉPE and FEDERICA TONIOLO
Celebrating Athanasius in Venice. Illuminated Manuscripts for the Nuns of Santa Croce alla Giudecca (pp. 25–48)

TIZIANA FRANCO
Testimonianze artistiche di contesti monastici femminili a Verona (XIV–XV secolo) (pp. 49–61)

DEBORAH HOWARD
Venetian Galleys as Domestic and Ritual Space (pp. 63–78)

CATHERINE WHISTLER
Invention and Devotion in Giovanni Bellini’s Uffizi ‘Lamentation’ (pp. 79–98)

MAURO LUCCO
Pietro da Vicenza, non Pasqualino. Ma quale Pietro? (pp. 99–113)

BEVERLY LOUISE BROWN
Sculpted in My Heart: Titian and the Secrets of ‘La Schiavona’ (pp. 115–136)

PETER HUMFREY
More on Dosso’s ‘Aeneas’ Frieze (pp. 137–156)

MICHEL HOCHMANN
À propos d’un album de photographies méconnu : Simone Bianco et Tiziano Aspetti au palais Grimani de Santa Maria Formosa (pp. 157–172)

PHILIP SOHM
Venetian Finger Painting after Titian (pp. 173–194)

STÉPHANE LOIRE
Les tableaux de Véronèse dans l’‘Inventaire’ Napoléon (1810) (pp. 195–222)

STEFANIA MASON
Dentro e fuori la bottega di Tintoretto: il caso di Paolo Fiammingo (pp. 223–236)

JOHN MARCIARI
‘Drawing in Tintoretto’s Venice’: Marginal Notes to an Exhibition (pp. 237–252)

CATHERINE PUGLISI
‘Certe palliole da processione’: Guido Reni, Silk, Civic Piety and Ceremony (pp. 253–279)

LINDA BOREAN
L’eredità di Giovanni Maria Sasso (pp. 281–289)

JAN K. OSTROWSKI
The Assumption of the Virgin Mary in a Triumphal Chariot: A Contribution to Marian Iconography and to the History of Art History (pp. 291–306)

MASSIMO FAVILLA and RUGGERO RUGOLO
Ideologie da soffitto: Giambattista Tiepolo per le case Corner, Manin e Mocenigo (pp. 307–327)

DAMIAN DOMBROWSKI
Ein Reich der Frauen. Giovanni Battista Tiepolo, Vasall der Weiblichkeit (pp. 329–368)

KEITH CHRISTIANSEN
Tiepolo’s ‘Apollo and Hyacinth’ and its Preparatory Drawings (pp. 369–378)

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