PROGRAM

16 APRIL, 2015

14.00-14.40
Welcome
Marek Walczak & Mateusz Grzęda


1. PORTRAYING THE SOVEREIGN IN THE 13TH AND 14TH CENTURIES

14.40-15.05
Pierre-Yves Le Pogam (Paris)
The features of St Louis

15.05-15.30
Katharina Weiger (Florence)
The portraits of Robert of Anjou: self-presentation as political
instrument?

15.30-15.55
Mateusz Grzęda (Cracow)
Representing the Archbishop of Trier: Portraits of Kuno von Falkenstein

15.55-16.20 DISCUSSION

16.20-16.45 COFFEE BREAK


2. PORTRAITURE AND MEMORIA IN THE LATE MIDDLE AGES

16.45-17.10
Javier Martínez de Aguirre (Madrid)
Pride and Memory: the Development of Individualised Sculptural
Representations in Castile and Navarre around 1400

17.10-17.35
Jakov Đorđević (Belgrade)
Made in the Skull's Likeness: Of Transi Tombs, Identity and Memento Mori

17.35-18.00
Marek Walczak (Cracow) & Krzysztof Czyżewski (Cracow)
Picturing Continuity. The Beginnings of the Portrait Gallery of Cracow
Bishops in the Cloister of Franciscan Friars in Cracow

18.00-18.25 DISCUSSION


17 APRIL, 2015

4. AMBIGUITIES OF LATE MEDIEVAL AND RENAISSANCE PORTRAITURE

9.30-9.55
Alexander Lee (Oxford)
Petrarch, Simone Martini and the Ambiguities of Fourteenth-Century
Portraiture

9.55-10.20
Alice Cavinato (Pisa)
"By his own hand and of his own will". Portraits of scribes and writers
as visual signatures

10.20-10.45
Philipp Zitzlsperger (Berlin)
Renaissance Self-portraits and the moral judgement of taste

10.45-11.10 DISCUSSION

11.10-11.30 COFFEE BREAK


5. PORTRAITURE AT THE THRESHOLD OF THE EARLY MODERN PERIOD

11.30-11.55
Agnieszka Smołucha-Sładkowska (Cracow)
What is, and What is not all'antica in Portraits on Early-Renaissance
Italian Portrait Medals

11.55-12.20
Albert J. Godycki (London)
What did Jan van Scorel do for Netherlandish Portraiture? Some
Considerations on his Impact

12.20-12.45
Annick Born (Ghent)
Portraying the Sultan

12.45-13.10
Anna Wyszyńska (Cracow)
Power-dressing of the Chancellor's Family. On Depictions of Dress in
„Liber geneseos illustris familiae Schidlovicie"

13.10-13.35 DISCUSSION

13.35-16.30 LUNCH


6. RECONSIDERING THE ORIGINS OF CRYPTO-PORTRAITURE

16.30-16.55
Annamaria Ersek (Paris)
The Crypto-portrait and its Place in the Emergence of Portraiture

16.55-17.20
Ilaria Bernocchi (London)
The Origins of Allegorical Portraits. A ‘Defeat of Likeness'?

17.20-17.45
Masza Sitek (Cracow)
Just what is it that makes identification-portrait hypotheses so
appealing? On why Hans Süss von Kulmbach ‘must' have portrayed Jan Boner

17.45-18.10 DISCUSSION


18 APRIL, 2015

7. APPROACHES TO EARLY PORTRAITURE

9.30-9.55
Mary Hogan Camp (London)
"Weaving a Tangled Web": The use and interpretations of the banderole in
Pontormo's ‘Portrait of Cosimo il Vecchio'

9.55-10.20
Nathalie Delbard (Lille)
The divergent look in the Flemish portrait as a sign of dysfunction of
the traditional conception of representation in the Renaissance

10.20-10.45
Charlotta Krispinsson (Stockholm)
The Concept of Iconography in Portrait Research prior to Panofsky

10.45-11.20 DISCUSSION

11.20 END OF CONFERENCE