TOC Apr 19, 2024

21: Inquiries into Art, History, and the Visual, Issue 1/2024

journals.ub.uni-heidelberg.de/index.php/xxi/issue/view/6917

Katharina Böhmer

21: Inquiries – Issue 1/2024

TABLE OF CONTENTS ISSUE #1 – 2024

Special Issue: Towards a Multi-Temporal Pluriverse of Art. Decolonizing Universalized Historiographic and Temporal Frameworks
ed. by Birgit Hopfener & Karin Zitzewitz

EDITORIAL

Introduction: Towards a Multi-Temporal Pluriverse of Art. Decolonizing Universalized Historiographic and Temporal Frameworks
Birgit Hopfener & Karin Zitzewitz

ARTICLES

On the Impossibility of Global Modernisms
Tatiana Flores

Beading Back and Forth. Upending Temporality through Knowledge Transmission
Carmen Robertson

Against Extinction. An Interview with Sahej Rahal
Karin Zitzewitz

Animating the Inanimate. Qiu Anxiong’s “New Book of Mountains and Seas”
Peggy Wang

A Group Dance that Never Ends. A Pluriversal Approach to “Continuum – Generation by Generation” (2017)
Birgit Hopfener

Monuments, Temporality, and the Aesthetics of Indigenous Presence in Postcolonial South Asia
Akshaya Tankha

“Not the End”. Artists on and against Nuclear Closure
Kyveli Mavrokordopoulou

Of Scales and Times. Planetary Friction at Play in the Work of Simryn Gill
Emilia Terracciano

REVIEWS
Two Books on Tradition: Holger Gzella, Aramäisch. Weltsprache des Altertums & Irene Vallejo, Papyrus. The Invention of Books in the Ancient World
Benjamin Anderson

Rose Marie San Juan, Violence and the Genesis of the Anatomical Image
Alejandro Nodarse

Michele Matteini, The Ghost in the City. Luo Ping and the Craft of Painting in Eighteenth-Century China
Kathleen Ryor

Felicity Bodenstein, Contested Holdings. Museum Collections in Political, Epistemic and Artistic Processes of Return
Zainabu Jallo

Brianne Cohen, Don't Look Away. Art, Nonviolence, and Preventive Publics in Contemporary Europe
Sara Blaylock

On Things (and their Representation). Laurence Bertrand Dorléac’s “Pour en finir avec la nature morte” and the exhibition and catalogue “Les Choses. Une histoire de la nature morte” (Musée du Louvre, Paris)
Stefano de Bosio

Sämtliche Beiträge sind als PDF und HTML unter https://doi.org/10.11588/xxi.2024.1 kostenfrei abrufbar. Wenn Sie einen Beitrag einreichen möchten, kontaktieren Sie uns unter 21-inquiriesunibe.ch – wir freuen uns über Ihr Interesse.

Die Herausgeberinnen und Herausgeber:
Olga Acosta, Naman P. Ahuja, Beate Fricke, Ursula Frohne, Celia Ghyka, Birgit Hopfener, Aaron M. Hyman, Karen Lang, Karin Leonhard, Rebecca Müller, Kerstin Schankweiler, Avinoam Shalem, Michael F. Zimmermann und Katharina Böhmer (Redaktion) in Zusammenarbeit mit dem Team von arthistoricum.net (Heidelberg).
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All contributions can be downloaded as PDF and HTML free of charge from our website: https://doi.org/10.11588/xxi.2024.1. For submissions please contact us at 21-inquiriesunibe.ch. We look forward to your submissions.

The editors:
Olga Acosta, Naman P. Ahuja, Beate Fricke, Ursula Frohne, Celia Ghyka, Birgit Hopfener, Aaron M. Hyman, Karen Lang, Karin Leonhard, Rebecca Müller, Kerstin Schankweiler, Avinoam Shalem, Michael F. Zimmermann and Katharina Böhmer (managing editor) in collaboration with the team of arthistoricum.net (Heidelberg).

Reference:
TOC: 21: Inquiries into Art, History, and the Visual, Issue 1/2024. In: ArtHist.net, Apr 19, 2024 (accessed Jun 20, 2024), <https://arthist.net/archive/41686>.

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