Print Quarterly, XXXV, no. 4 (December 2018) issue
Articles
The Madonna del Sangue: A Miraculous Print in Bagno di Romagna
by Lorenzo Gigante 379
Jonathan Richardson (1667–1745) as Etcher
by Bryony Bartlett-Rawlings 392
What a Boom, What a Blast: Kazimir Malevich's War Propaganda
by Marie Gasper-Hulvat 407
Shorter Notice
Gardeners' Trade Cards by William Kilburn and François Vivares
by Martin Hopkinson 420
Notes
The Textual Source for Philips Galle's Head of a Reveller
by Suzanne Kooloos and Jeroen Luycks 426
The Theory of the Early European Emblem
by Salvador Bas Folch 427
The Schulthess-Von Meiss Collection in Zurich
by Christian Rümelin 428
French Prints in the Age of Louis XIV
by Jean-Gérald Castex 430
Johannes Teyler and Dutch Colour Prints
by An Van Camp 432
Popular Prints in the Netherlands 1650–1950
by Ger Luijten 434
The Basire Family of Copperplate Engravers (c. 1704–c. 1883)
by Anthony Dyson 437
Henri Marie Petiet (1894–1980)
by Martin Hopkinson 439
Franz Maria Ferchl
by Christian Rümelin 442
Martha Cunz
by Christian Rümelin 444
Campbell Dodgson's Box File
by Genevieve Verdigel 446
Futurist Prints
by Martin Hopkinson 448
The Carved Line: Block Printmaking in New Mexico
by Lyle Williams 451
Picasso
by Paul Coldwell 452
Albert Flocon and Bachelard
by Martin Hopkinson 454
Jannis Kounellis (1936–2017)
by Stephen Bann 455
The Expanded Field
by Paul Coldwell 456
Paris Celebrates Barceló
by Andrew Dempsey 456
Publications Received 459
Catalogue and Book Reviews
Dürer's Epistolary Mode
by Peter Parshall 461
Malvasia's Lives of the Bolognese Painters
by Marzia Faietti 465
The Art of Philosophy
by Patricia Emison 471
Fashion Plates
by Sarah Grant 474
Charles and George Hunt
by Antony Griffiths 478
Quellennachweis:
TOC: Print Quarterly, December 2018. In: ArtHist.net, 06.12.2018. Letzter Zugriff 28.03.2024. <https://arthist.net/archive/19719>.