Print Quarterly, December 2018

Print Quarterly, XXXV, no. 4 (December 2018) issue


The Madonna del Sangue: A Miraculous Print in Bagno di Romagna
by Lorenzo Gigante 379

Jonathan Richardson (1667–1745) as Etcher
by Bryony Bartlett-Rawlings 392

What a Boom, What a Blast: Kazimir Malevich's War Propaganda
by Marie Gasper-Hulvat 407

Shorter Notice

Gardeners' Trade Cards by William Kilburn and François Vivares
by Martin Hopkinson 420


The Textual Source for Philips Galle's Head of a Reveller
by Suzanne Kooloos and Jeroen Luycks 426

The Theory of the Early European Emblem
by Salvador Bas Folch 427

The Schulthess-Von Meiss Collection in Zurich
by Christian Rümelin 428

French Prints in the Age of Louis XIV
by Jean-Gérald Castex 430

Johannes Teyler and Dutch Colour Prints
by An Van Camp 432

Popular Prints in the Netherlands 1650–1950
by Ger Luijten 434

The Basire Family of Copperplate Engravers (c. 1704–c. 1883)
by Anthony Dyson 437

Henri Marie Petiet (1894–1980)
by Martin Hopkinson 439

Franz Maria Ferchl
by Christian Rümelin 442

Martha Cunz
by Christian Rümelin 444

Campbell Dodgson's Box File
by Genevieve Verdigel 446

Futurist Prints
by Martin Hopkinson 448

The Carved Line: Block Printmaking in New Mexico
by Lyle Williams 451

by Paul Coldwell 452

Albert Flocon and Bachelard
by Martin Hopkinson 454

Jannis Kounellis (1936–2017)
by Stephen Bann 455

The Expanded Field
by Paul Coldwell 456

Paris Celebrates Barceló
by Andrew Dempsey 456

Publications Received 459

Catalogue and Book Reviews

Dürer's Epistolary Mode
by Peter Parshall 461

Malvasia's Lives of the Bolognese Painters
by Marzia Faietti 465

The Art of Philosophy
by Patricia Emison 471

Fashion Plates
by Sarah Grant 474

Charles and George Hunt
by Antony Griffiths 478

TOC: Print Quarterly, December 2018. In:, Dec 6, 2018 (accessed Jul 19, 2019), <>.

Contributor: Rhoda Eitel-Porter, Print Quarterly

Contribution published: Dec 6, 2018

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