Volume 7 of the Journal of Art Historiography

All articels are available online, please see:
http://arthistoriography.wordpress.com

Articles

Milena Bartlová, ‘Czech art history and Marxism’ 7-MB/1

Jim Berryman, ‘Exhibiting Western Desert Aboriginal painting in
Australia’s public galleries: an institutional analysis, 1981-2002’
7-JB/1

Rachel Dedman, ‘The importance of being Ernst: a reassessment of E. H.
Gombrich’s relationship with psychoanalysis’’ 7-RD/1

Eric Garberson, ‘Art History in the University II: Ernst Guhl’
7-EG/1, Tables 7-EG/2

Francis Halsall, ‘Making and matching: aesthetic judgement and the
production of art historical knowledge’ 7-FH/1

Amy K. Hamlin, ‘”A heuristic event”: reconsidering the problem of the
Johnsian conversation’ 7-AH/1

Peter R. Kalb, ‘Picturing Pollock: Photography’s Challenge to the
Historiography of Abstract Expressionism’ 7-PK/1

Jenni Lauwrens, ‘Welcome to the revolution: The sensory turn and art
history’ 7-JL/1

John Mack, ‘Making and seeing: Matisse and the Kuba decorative
“system”’ 7-JM/1

Jeanne Nuechterlein, ‘Location and the experience of early
Netherlandish art’ 7-JN/1 Images 7-JN/2

Rebecca Rice, ‘Transforming the “unimaginative and literal” into an
art for the nation: writing and exhibiting New Zealand’s art history
in the twentieth century’ 7-RR/1

Francesco Russo, ‘Medieval Art studies in the Republic of Letters:
Mabillon and Montfaucon’s Italian connections between travel and
learned collaborations’ 7-FR/1

Jenny H. Shaffer, ‘Restoring Charlemagne’s chapel: historical
consciousness, material culture, and transforming images of Aachen in
the 1840s’ 7-JS/1

Barbara Stoltz, ‘Disegno versus Disegno stampato: printmaking theory
in Vasari’s Vite (1550-1568) in the context of the theory of disegno
and the Libro de’ Disegni’ 7-BS/1

Marja Väätäinen, ‘From Ringbom to Ringbom: The art of art history of
Lars-Ivar Ringbom and Sixten Ringbom: A mythmaker and a myth-breaker
in Åbo, Finland’ 7-MV/1

Ian Verstegen, ‘The “Second” Vienna School as Social Science’
7-IV/1

Translations

Karl Johns (trans & ed.), ‘Alexander Conze, “On the Origin of the
Visual Arts”, Lecture held on July 30, 1896 [in the Royal Prussian
Academy of Sciences]’. Originally published as ‘Über den Ursprung der
bildenden Kunst‘, Sitzungsberichte der Ko?niglich Preußischen Akademie
der Wissenschaften zu Berlin. Gesammtsitzung vom 11. Februar 1897,
Berlin: Reichsdruckerei 1897, pp. 98-109. 7-KJ/1

Karl Johns (trans & ed.), ‘Alexander Conze, “Greek Relief Sculpture”’.
Originally published as ‘Über das Relief bei den Griechen’,
Sitzungsberichte der Königlich Preussischen Akademie der
Wissenschaften zu Berlin. Gesammtsitzung vom 25. Mai, 1882, no. 26,
pp. 1-15 (pp. 563-577). 7-KJ/2

Documents

Rachel Dedman (ed.), ‘”Art and psychoanalysis – 15 June 1988.
Speakers: Professor Joseph Sandler and Professor Sir Ernst Gombrich”,
part of the series “Dialogues on Contemporary Issues” hosted by the
British Psycho-Analytical Society in the summer term of 1988’ 7-RD/2

Cecelia F. Klein (ed.), ‘”Theory, Method & the Future of Pre-Columbian
Art History”, 100th Annual Conference of the College Art Association –
Los Angeles, California – February 24, 2010” Contributors: Cecelia F.
Klein, Introductions; Esther Pasztory, ‘Pre-Columbian Art and World
Art History’; Mary Miller, ‘Now You See It, Now You Don’t:
Pre-Columbian Art in the American Museum . . . and in the Academy’;
Elizabeth Hill Boone, ‘What Do You Say When There Are No Words?’; Tom
Cummins, ‘Looking Back at the Future of Pre-Columbian Art History’;
Carolyn Dean, ‘The Elusive Future of Pre-Columbian Art History’;
Claudia Brittenham, ‘Interdisciplinary, International, Indispensable’.
7-CK/1

Partha Mitter, ‘Ernst Gombrich and Western representations of the
sacred art of India’ 7-PM/1

Stefan Muthesius, ‘The beginnings of the “Cracow School of Art
History”’ from Jerzy Malinowski (ed.), History of Art History in
Central, Eastern and South-Eastern Europe (2012) 7-SM/1

Alina Payne, Wölfflin, ‘Architecture and the Problem of Stilwandlung’
7-AP/1

Griselda Pollock, ‘Unexpected Turns: The Aesthetic, the Pathetic and
the Adversarial in the Long Durée of Art’s Histories’ 7-GP/1

Nasser Rabbat, ‘Islamic Architecture as a Field of Historical
Enquiry’, AD Architectural Design, 74(6), 2004 7-NR/1 Reproduced by
courtesy of the publishers John Wiley & Sons Ltd.

Terry Smith, ‘Meyer Schapiro on style in art and science: Notes from a
Theory and Methods of Art History graduate seminar lecture course,
Columbia University, New York, 1973’ 7-TS/1

Reviews

Antonia Boström, ‘When sculpture became more than “something you bump
into when you back up to look at a painting”’. Christopher R. Marshall
(ed.), Sculpture and the Museum, Ashgate 2011. 7-AB/1

Ute Engel, ‘Riegl on the Baroque’. Alois Riegl, The Origins of Baroque
Art in Rome. Edited and Translated by Andrew Hopkins and Arnold Witte.
Essays by Alina Payne, Arnold Witte, and Andrew Hopkins, Getty
Research Institute 2010 7-UE/1

Douglas Fordham, ‘Just what is it that makes English artwriting so
different, so appealing?’ Mark A. Cheetham, Artwriting, Nation, and
Cosmopolitanism in Britain: The ‘Englishness’ of English Art Theory
since the Eighteenth Century, Ashgate, 2012 7-DF/1

Eric C. Garberson, ‘Carl Justi: Modern Errors’. Johannes Rößler, Carl
Justi. Moderne Irrtümer, Briefe und Aphorismen, Matthes & Seitz, 2012
7-EG/3

Mimi Hellman, ‘Interrogating interiors’. Denise Amy Baxter and
Meredith Martin (eds), Architectural space in eighteenth-century
Europe: Constructing identities and interiors, Ashgate, 2010
7-MH/1

Ana Hernández, ‘”A special place at a special time”: Françoise Henry’s
diaries on Inishkea North (Ireland)’. Janet T. Marquardt(ed.),
Françoise Henry in Co. Mayo. The Inishkea Journals, Four Courts Press,
2012 7-AH/1

Carol C. Mattusch, ‘Archaeological, art-historical, and artistic
approaches to classical antiquity’. Viccy Coltman (ed.), Making Sense
of Greek Art, University of Exeter Press, 2012 7-CM/1

Catherine Oakes, ‘Virtual Pilgrimages in the Convent’. Kathryn M.
Rudy, Virtual Pilgrimages in the Convent. Imagining Jerusalem in the
Late Middle Ages (Disciplina Monastica. Studies on Medieval Monastic
Life 8), Brepols, 2011 7-CO/1

Spyros Papapetros, ‘Ornament and object—ornament as object’. Alina
Payne, From Ornament to Object: Genealogies of Architectural
Modernity, Yale University Press, 2012 7-SP/1

Matthew Rampley, ‘Aby Warburg, Images and Exhibitions’. Aby Warburg,
Bilderreihen und Ausstellungen edited by Uwe Fleckner and Isabelle
Woldt, Akademie Verlag, 2012 7-MR/1

Robert T. Soppelsa, ‘Constructing African Art Histories for the
Lagoons of Côte d’Ivoire’. Monica Blackmun Visona, Constructing
African Art Histories for the Lagoons of Côte d’Ivoire, Ashgate, 2010
7-RS/1

Arnold Witte, ‘Formalism in the first half of the twentieth century:
‘pure science’ or a case of effective rhetoric?’. Mitchell B. Frank
and Daniel Adler (eds),German Art History and Scientific Thought –
Beyond Formalism, Ashgate, 2012 7-AW/1

Books received

Jerzy Malinowski (ed.), History of Art History in Central, Eastern and
South-Eastern Europe, 2 vols, Toru?: Society of Modern Art and Tako
Publishing House, 2012 7-JzM/1