NCAW Autumn 2012, Vol. 11, no. 3

With this issue, Nineteenth-Century Art Worldwide inaugurates a series
of articles that make full use of the electronic medium through which
the journal is delivered. At the beginning of this year, NCAW received
a grant from the Andrew W. Mellon Foundation to support new approaches
to digital research on the part of contributing authors, and to
publish articles with enriched media content such as computer
graphics, architectural modeling, and streaming video. NCAW is
delighted to publish in this issue an article by Anne Helmreich and
Pamela Fletcher that clearly illustrates some of the possibilities of
digital humanities research applied to the history of
nineteenth-century art. If, after you have read the Helmreich/Fletcher
article, you feel inspired and want to propose a Mellon-funded
contribution, please contact Petra Chu: petra.chu[at]shu.edu or Emily
Pugh: emily[at]emilypugh.com. For more information, please see the
call for proposals.

Table of Contents:

Articles

Local/Global: Mapping Nineteenth-Century London's Art Market
by Pamela Fletcher and Anne Helmreich

“The Old Feelings of Men in a New Garment”: John Everett Millais’s A
Huguenot and the Masculine Audiences in the Mid-nineteenth Century
by Jo Briggs

Crossings and Dislocations: Toshio Aoki (1854–1912), a Japanese Artist
in California
by Chelsea Foxwell

Representing Evolution: Jens Ferdinand Willumsen’s Fertility and the
Natural
Sciences
by Gry Hedin

The Radical Style and Local Context of Cézanne’s Mary Magdalen
(Sorrow)
by Nancy Locke

Misty Mediations: Spectral Imaginings and the Himalayan Picturesque
by Romita Ray

Between Panoramic and Sequential: Nadar and the Serial Image
by Philippe Willems

New Discoveries
An Unknown Flemish Interior in the Fourteenth Century by Lawrence
Alma-Tadema
by Jan Dirk Baetens

Klimt Year in Vienna: Part One
Reviewed by Jane Van Nimmen

Book Reviews

Empress Eugénie and the Arts: Politics and Visual Culture in the
Nineteenth Century by Alison McQueen
Reviewed by Camelia Errouane

Eugène Delacroix, Journal edited by Michèle Hannoosh
Reviewed by David J. O’Brien

Remaking Race and History: The Sculpture of Meta Warrick Fuller by
Renée Ater
Reviewed by Caterina Y. Pierre
The Brush and the Pen: Odilon Redon and Literature by Dario Gamboni,
translated by Mary Whittall
Reviewed by Sarah Sik

In Search of Julien Hudson: Free Artist of Color in Pre-Civil War New
Orleans edited by William Keyse Rudolph and Patricia Brady
Reviewed by Theresa Leininger-Miller

Robert Koehler’s The Strike: The Improbable Story of an Iconic 1886
Painting of Labor Protest by James M. Dennis
Reviewed by Gabriel P. Weisberg

Exhibition Reviews

Osman Hamdi Bey and the Americans: Archaeology, Diplomacy, Art and
Archaeologists and Travelers in Ottoman Lands
Reviewed by Annika K. Johnson

Infinite Jest: Caricature from Leonardo to Levine
Reviewed by Patricia Mainardi

Minne-Maeterlinck: The World of George Minne and Maurice Maeterlinck
Reviewed by Lisa Smit

Milcendeau, le maître des regards
Reviewed by Gabriel P. Weisberg

Lorenzo Bartolini: Scultore del bello naturale
Reviewed by Caterina Y. Pierre

George Hendrik Breitner: Pioneer of Street Photography
Reviewed by Alba Campo Rosillo

Snapshot: Painters and Photography, 1888–1915
Reviewed by Alba Campo Rosillo

The Peredvizhniki: Pioneers of Russian Painting
Reviewed by Inessa Kouteinikova

Ford Madox Brown: Pre-Raphaelite Pioneer
Reviewed by Jana Wijnsouw

The American Wing Galleries for Painting, Sculpture, and Decorative
Arts, The Metropolitan Museum of Art, New York
Reviewed by Isabel L. Taube