TOC 26.10.2020

Southeast of Now: Directions in Contemporary and Modern Art in Asia, Vol 4,2

Roger Nelson, Phnom Penh

SOUTHEAST OF NOW: Directions in Contemporary and Modern Art in Asia

NEW ISSUE out now in print and online (Volume 4, Number 2)
Free to read via Open Access on Project Muse
Published by NUS Press (National University of Singapore)

ARTICLES

Gendering the Environmental Artivism: Ekofeminisme and Unjuk Rasa of Arahmaiani’s Art
by Edwin Jurriëns

‘Tradition’ in Thai Modern Art
by John Clark

The Russian Connection in Singapore’s Local Art Identity
by David Low Kok Kiat

Art On/Offshore: The Singapore Freeport and the Narrative Economics that Frame the Southeast Asian Art Market
by offshoreart.co (Kathleen Ditzig and Robin Lynch)

RESPONSES AND REVIEWS

Consequential Privileges of the Social Artists: Meandering through the Practices of Siti Adiyati Subangun, Semsar Siahaan and Moelyono
by Grace Samboh

Suddenly Turning Visible: Art and Architecture in Southeast Asia (1969–1989). A Review
by T.K. Sabapathy

Who Owns the Mountain? Power, Ideology and Extractive Capitalist Exploitation in Piyarat Piyapongwiwat’s Recent Work
by Blake Palmer

TRANSLATIONS

Situated Formalism in the Art of Encounters: A Brief Introduction to the Translation of Selected Writings by Oei Sian Yok
by Brigitta Isabella

Richard and Jean Wolford’s Exhibition: Indonesia As Seen by Two American Painters (1958)
by Oei Sian Yok, translated by Brigitta Isabella

SOS to Our Painters (1959)
by Oei Sian Yok, translated by Brigitta Isabella

Exhibition of Old (Kuno) and New (Baru) Indian Paintings: Indian Modern Painters Respond Fittingly to the Force of the Modern Age,
by Sustaining the Special Characteristics of India (1960)
by Oei Sian Yok, translated by Brigitta Isabella

Exhibition of Argentinian Painter Magda Liguori (1960)
by Oei Sian Yok, translated by Brigitta Isabella

EMERGING WRITERS FELLOWSHIP

Basuki Resobowo as a Jack of All Trades: The Intersectionality of Arts and Film in Perfini Films and Resobowo’s Legacy in Indonesian Cinema
by Umi Lestari

ANNOUNCEMENT

Hera and Pristine L. de Leon, Recipients of the Emerging Writers Fellowship 2020

EDITORIAL COLLECTIVE

Isabel Ching (University of Heidelberg)
Thanavi Chotpradit (Silpakorn University)
Brigitta Isabella (KUNCI Cultural Studies Center, Yogyakarta)
Eileen Legaspi–Ramirez (University of the Philippines)
Yvonne Low (University of Sydney)
Vera Mey (SOAS, University of London)
Roger Nelson (National Gallery Singapore)
Simon Soon (University of Malaya)
Clare Veal (LASALLE College of the Arts)

ADVISORY BOARD

John Clark (University of Sydney)
Patrick D. Flores (University of the Philippines)
Nikos Papastergiadis (University of Melbourne)
T. K. Sabapathy (National University of Singapore)
Nora A. Taylor (School of the Art Institute of Chicago)
Ashley Thompson (SOAS, University of London)

This journal is open access thanks to the generous support of the Chen Chong Swee Asian Arts Programme at Yale-NUS College and the Foundation for Arts Initiatives.

Quellennachweis:
TOC: Southeast of Now: Directions in Contemporary and Modern Art in Asia, Vol 4,2. In: ArtHist.net, 26.10.2020. Letzter Zugriff 28.03.2024. <https://arthist.net/archive/23796>.

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