CFP 30.09.2019

Session at Anthropopology and Geography (London, 4-7 Jun 20)

London, UK, 04.–07.06.2020
Eingabeschluss : 08.01.2020

Sabrina DeTurk

Session at the conference Anthropopology and Geography: Dialogues Past, Present and Future

[1]Representing Displacement: Analysing Migrant Experiences through Art, Material Culture and Museums

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[1]Representing Displacement: Analysing Migrant Experiences through Art, Material Culture and Museums

We invite proposals for a panel at the conference Anthropopology and Geography: Dialogues Past, Present and Future jointly organised by the RAI, the RGS, the British Academy, the Department of Anthropology and Sociology at SOAS, and the BM’s Department for Africa, Oceania and the Americas.

Date: 04 - 07 June 2020
Venue: SOAS, Senate House, and the Clore Centre of the British Museum, London, UK
Website: https://www.therai.org.uk/conferences/anthropology-and-geography
Submission Deadline for Paper Abstracts: 08 January 2020

Panel Organisers: Dr Sarina Wakefield (University of Leicester) and Dr Sabrina DeTurk (Zayed University, Dubai Campus)

Session Panel Title: Representing Displacement: Analysing Migrant Experiences through Art, Material Culture and Museums

The panel explores how artists, cultural heritage practitioners, archaeologists and others working in the field of visual and material culture represent and interrogate displacement, border-crossings and migrant experiences and the institutionalization of displacement in settings such as museums.

In 2019, two art installations focused on issues of migration, displacement and loss gained widespread media attention. At the Venice Biennale, Christoph Büchel's Barca Nostra, an installation of the wrecked fishing boat on which hundreds of migrants died while fleeing from Libya in 2015, was criticized for its placement in the midst of a spectacle of global contemporary art, which several critics viewed as crass and lacking in context. On the Mexico and United States border, the architecture studio Rael San Fratello installed Teeter-Totter Wall, seesaws straddling the border fence, on which children played briefly before the work was removed. Photos of the work went viral and it was primarily celebrated for promoting a vision, however fleeting, of harmonious connection.

This panel seeks to critically explore the ways that artists, architects, cultural heritage practitioners, museums and others working in the field of visual and material culture strive to represent and interrogate geographical displacement, border-crossings and the resultant migrant experiences, especially in terms of cultural politics, the emotive and performative nature of visualizations of displacement, and the ways in which displacement is institutionalized within global settings such as museums and galleries. This cross-disciplinary panel welcomes proposals from archaeologists, architects, artists, and museum practitioners as well as academics from, but not limited to, the fields of archaeology, anthropology, geography, critical heritage studies, museum studies and the visual arts. We are interested in proposals taking a case study approach and those that critique the success and problematics of such works, particularly by considering community responses.

Abstract Submission:
Please submit abstracts via the conference website using the following link: https://nomadit.co.uk/conference/rai2020#8288

Submissions should include a paper title, short abstract (300 characters) and a long abstract (250 words) by 08 January 2020

Quellennachweis:
CFP: Session at Anthropopology and Geography (London, 4-7 Jun 20). In: ArtHist.net, 30.09.2019. Letzter Zugriff 24.04.2024. <https://arthist.net/archive/21678>.

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