Print Quarterly, September 2019 (XXXVI, No. 3)

Articles

The Woodcut-Covered Ceiling of the Monastery of the Romite Ambrosiane in Varese by LAURA ALDOVINI 251
William Cobbett, James Gillray and the Market for Caricatures in 1790s Philadelphia by ALLISON STAGG 263
Fritz Scholder’s Indians Forever and Tamarind Institute by SUZANNE FRICKE 275

Shorter Notices

The Annunciation to the Virgin by Hans Holbein the Elder by GUIDO MESSLING 286
Do the Right Thing by JUDITH BRODIE 293

Notes

Colard Mansion (c. 1440–84): Pioneering Printer in Bruges by NICOLAS BARKER 300
Coloured by Hand by TRUUSJE GOEDINGS 304
Rembrandt and India by JEAN MICHEL MASSING 306
French Prints for Interior Decoration by PETER FUHRING 307
The Pompa Introitus Ferdinandi by DOMENICO PINO 310
Perspectives on Wenceslaus Hollar by DAVID MCKITTERICK 312
Art, Theory and Law in Early Modern France by VÉRONIQUE MEYER 313
Hogarth’s Legacy by DAVID BINDMAN 316
Bamberg Broadside Calendars from the Fifteenth to the Nineteenth Centuries by ROGER PAAS 316
Johann Eleazar Zeissig, Known as Schenau (1737–1806) by DANIEL GODFREY 319
Rudolph Ackermann (1764–1834) by MARK BILLS 323
Wallpapers by Paul Balin by ALEXANDRA LOSKE 325
Lithography in Paris, 1815–1900 by FLEUR ROOS ROSA DE CARVALHO 327
Art for All: The Colour Woodcut in Vienna around 1900 by DOMENICO PINO 328
American Printmakers and World War I by JONATHAN BLACK 331
Curwen Press Printing Blocks by ANTONY GRIFFITHS 333
Maniera Baselitz by RICHARD CALVOCORESSI 334
Scholarly Printing: Harold Hugo at Meriden Gravure by CLIFFORD S. ACKLEY 336
Artists and their Books by DAVID PLATZKER 3378

Catalogue and Book Reviews

Interactive and Sculptural Prints by ASHLEY D. WEST 343
Langres Renaissance by JEAN MICHEL MASSING 348
Rembrandt in the Spotlight: Recent Studies and Exhibitions by ROBERT FUCCI 354