Speculative Art Histories (Rotterdam, 2 - 4 May 13)
Rotterdam, May 2 - 04, 2013
Speculative Art Histories
A three-day international research symposium
Center for Art and Philosophy (EUR) and Witte de With Center for Contemporary Art
Thursday 2, Friday 3, and Saturday 4 May, 2013
Thursday 2 May 2012
Location: Erasmus University, H5-32
Speculative Philosophy and Art
Armen Avanessian (FU Berlin) – Against the Regime of (aesthetical) Correlationism
Charlotte De Mille (Courtauld, Uni Sussex) – Immanence and Art’s Histories: towards a Bergsonian methodology
Sarah Kolb (Akademie Vienna) – Diagonal Science and Philosophy of Art: Bergson after Duchamp after Caillois
Joost de Bloois (UvA) – 'Let us be communists like Mallarmé'. Speculative politics and aesthetics after Badiou
Friday 3 May 2013
Location: Witte de With Center for Contemporary Art
Diagrammatics and the Radical Picturesque
10h00 Welcome by Samuel Saelemakers (Witte de With)
Introduction by Sjoerd van Tuinen (EUR)
10h20 Keynote lecture by Lars Spuybroek (NOX, Georgia Tech) – The Politics of Beauty
Respondent: Andrej Radman (DSD, TU Delft)
11h45 Coffee break
Kamini Vellodi (Kingston Uni) – From the Speculative to the Constructive: Deleuze and Peirce on diagrammatics
Vlad Ionescu (Sint-Lucas Brussels) – The Rigorous and the Vague: On the Concepts of Wölfflin, Riegl and Worringer
Sjoerd van Tuinen (EUR) – Serpentine Life: A Speculative Reading of Mannerist Art Theory
14h30 Keynote lecture by Reza Negarestani
Respondent: Henk Oosterling (EUR, Vakmanstad Rotterdam)
16h00 Coffee break
16h15 Roundtable with conference participants, including Armen Avanessian (FU Berlin), Bram Ieven (UU), Charlotte De Mille (Courtauld Uni., Sussex), Henk Oosterling (EUR), Bertrand Prévost (Uni. of Bordeaux)
Saturday 4 May 2013
Location: Witte de With Center for Contemporary Art
10h00 Keynote lecture by Elisabeth von Samsonow (Ak. bildenden Künste Wien) – The Plasticity of the Real
Respondent: Rick Dolphijn (UU)
11h30 Coffee break
11h45 Panel 3
Adi Efal (Uni. Cologne) – Ravaisson’s ‘Habitude’ and the Past Reality of Things
Erik Bordeleau (McGill Uni.) – Tsai Ming-Liang and the Cosmopolitical Slowing Down of the Soul
Fleur Courtois L’Heureux (GECO/ULB) – From Etienne Souriau’s L'ombre de Dieu to Mats Ek’s Shadow of Carmen
13h15 Lunch break, soup served
14h15 Keynote lecture Kerstin Thomas (Uni. of Mainz) – Expressive Things: Art Theories of Henri Focillon and Meyer Schapiro Reconsidered
Respondent: Adi Efal
15h45 Coffee break
16h00 Keynote lecture Bertrand Prévost (Uni. of Bordeaux) – What is a Plastic Idea? Light, Problem, Intensity
Respondent: Kamini Vellodi (Kingston Uni.)
On Friday 3 and Saturday 4 May, Insurgence (2013) will be on view at Witte de With. This documentary by Épopée groupe d’action cinema accounts the anonymous event of the Printemps Érable, the 2012 student protests in Montreal.
Please consult http://www.caponline.org/speculative-art-histories for speaker’s biographies, abstracts and program updates.
Language of the event:
Tickets and reservations:
Thursday 2 May 2013: free
Because of the limited number of seats, please register by e-mail with Monique Goense – 323450mgstudent.eur.nl – if you want to participate.
Friday 3 and Saturday 4 May 2013:
One day ticket: € 15 full rate / € 7.5 reduction (students)
Two day ticket: € 25 full rate / € 12.50 reduction (students)
Book your tickets via reservationswdw.nl or call +31 (0)10 411 0144
Erasmus University Rotterdam
Complex Woudestein H5-32
Burgemeester Oudlaan 50
3062 PA Rotterdam
Witte de With Center for Contemporary Art
Witte de Withstraat 50
3012 BR Rotterdam
Following the recent ‘speculative turn’ in Continental philosophy, prepared by Gilles Deleuze and Alain Badiou and elaborated by Quentin Meillassoux, Brian Massumi, Graham Harman, Isabelle Stengers and Reza Negarestani among many others, the aim of this conference is to propose a counter-discourse of speculative approaches to art and, especially, to art history.
How could today’s materialist, realist, pragmatist, vitalist or object-oriented speculations offer alternatives to the mere complementarity of philosophy of art and art history, often based on mutual recognition and critical limitation rather than imaginative crossovers? What new intermedial methodologies for art and art historical writing do they provide? Or vice versa, how can the encounter with art induce new forms of philosophy? How do speculative concepts of time, past and contingency challenge typically modern engagements with art’s ‘history’?
Is there, for example, an unexpected contemporary relevance for pre-modern, e.g. or mannerist or gothic ideas of art? And what is the speculative potential of works of art themselves? Does the speculative open up new ways of extending art into fields of biology, mathematics or the digital? What is the ‘thing’ or ‘object’ of art, whether inanimate or animate? What does it mean to have an ‘idea’? And finally, what remains of ‘beauty’ and ‘expressivity’, after decades of critical mistrust and embarrassed deconstruction?
In the course of the 20th century, art history and philosophy of art have followed diverging trajectories. In order to establish itself as a scientific discipline, art history has inclined towards a positivist and objectivist approach to art, while professionalized philosophy of art, save for some developments in the philosophy of difference, has tended towards historicist hermeneutics and subjectivist phenomenology. Even the recent calls for more interdisciplinarity, heard in art criticism and art theory no less than in academic circles, seem to consolidate this divide more than they overcome it.
The guiding intuition of this conference is that both the modern gap between philosophy and art history and the postmodern call for more interdisciplinarity are inspired by a consensual abhorrence of more speculative approaches to art. That things could be otherwise can be learned from early formalist art historians such as Heinrich Wölfflin and Aloïs Riegl, who combined vitalist philosophy with empirical research in an almost proto-structuralist way and whose tradition was continued well into the 20th century by the likes of Henri Focillon and Henri Maldiney. In turn, philosophers as diverse as Henri Bergson, Étienne Souriau, Susanne Langer, and Walter Benjamin acknowledged the value of art historical research. What brings these approaches together is that they seek access to some speculative absolute (e.g. Will, Life, Experience) in defiance of the Kantian correlationism between the thing in itself (the object) and its enjoyment by us (the subject), and subsequently also in defiance of the bifurcation between artistic production and aesthetic reception, or the duality of aesthetics as theory of sensibility and theory of art.
This conference is organized by the Center for Art and Philosophy (CAP, www.caponline.org) in collaboration with Witte de With Center for Contemporary Art (http://www.wdw.nl). It is the outcome of the CAP reading group on speculative philosophy which runs from 2011 to 2013 at the Erasmus University Rotterdam and at Witte de With. It follows upon the Philosophers’ Rally 2012, which was organized by students of the Faculty of Philosophy of the Erasmus University Rotterdam in collaboration with CAP and which also had the speculative turn in Continental philosophy as its guiding thread (with Didier Debaise, Elisabeth von Samsonow, and Levy R. Bryant among the speakers).
CONF: Speculative Art Histories (Rotterdam, 2 - 4 May 13). In: H-ArtHist, Feb 23, 2013 (accessed Dec 22, 2014), <http://arthist.net/archive/4748>.