TOC 25.05.2015

Artibus et Historiae, no. 71 (XXXVI), 2015

Joanna Wola?ska, IRSA

Artibus et Historiae, no. 71 (XXXVI), 2015

Daniel Savoy
Keeping the Myth Alive: Andrea Dandolo and the Preservation of Justice at the Palazzo Ducale in Venice (pp. 9-29)

Carol Herselle Krinsky
Why Hand G of the Turin-Milan Hours Was Not Jan van Eyck (pp. 31-60)

Katarzyna Krzyżagórska-Pisarek
'La Bella Principessa' – Arguments against the Attribution to Leonardo (pp. 61-89)

Paul Joannides
Revival or Continuity? Three Turns about Pontormo (pp. 91-112)

Marcin Fabiański
L’iconografia del 'Giove pittore di farfalle' di Dosso Dossi, ossia il sogno di primavera di Alfonso d’Este (pp. 113-124)

Michele Danieli
Quattro dipinti di Scarsellino nella collezione Canonici e le loro fonti figurative (pp. 125-144)

Steven F. Ostrow
Pietro Tacca and his 'Quattro Mori': The Beauty and Identity of the Slaves (pp. 145-180)

Krzysztof J.Czyżewski, Marek Walczak
The Monuments with Portrait Busts of the Bishops of Cracow: On the History of the Reception of Roman Baroque Models of Sepulchral Art in Poland (Bernini – Algardi – Rossi) (pp. 181-223)

Barbara Hryszko
Alexandre Ubeleski (Ubelesqui): The Œuvre of the Painter and the Definition of his Style (pp. 226-280)

Jesper Svenningsen
Mattia Preti’s Vault in Saint John’s, Valletta: New Light on a Complex Iconography (pp. 282-295)

Joseph Manca
British Landscape Gardening, Italian Renaissance Painting, and the Grand Tour (pp. 297-322)

For abstracts, see:
http://artibusethistoriae.org/issue71.html

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Quellennachweis:
TOC: Artibus et Historiae, no. 71 (XXXVI), 2015. In: ArtHist.net, 25.05.2015. Letzter Zugriff 19.03.2024. <https://arthist.net/archive/10394>.

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