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The ArtHist
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Editorial Board Members
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About the Editors
Carolin Behrmann M.A. has studied art history, european ethnology and philosophy in Tuebingen, Bologna and Berlin. Issues on political iconology, roman art and politics in the 16th and 17th centuries and art as social strategy.Since 2001 collaborator of the project Requiem (DFG-project) . Since 2005 assistant at the department of art history at the Humboldt-University of Berlin. Currently preparing a doctoral dissertation on the “Iconologies of the state of exception”. E-mail
Jonas Beyer M.A. has studied art history and history in Berlin and Florence. Scholarship at the "Zentralinstitut für Kunstgeschichte" in Munich. Trainee at the Feuilleton of the "Frankfurter Allgemeine Zeitung". Currently writing a doctoral dissertation on the rediscovery of the monotype process during the 19th century within the PhD Program "History and Cultural Studies" of the Dahlem Research School (FU Berlin). Email
Jan von Brevern M.A. studied art history, philosophy and italian literature in Hamburg, Naples and Berlin. 2001/02 he worked for the project "Schule des Sehens" at Hamburg University. 2005 MA thesis on "Viollet-le-Duc and the Mont Blanc". Since 2005 assistant at the chair of science studies at the ETH Zurich (NCCR - eikones, "Iconic Criticism", Universities of Basel and Zuerich). Currently he is preparing a doctoral dissertation on "Wissenslandschaften. Bilder der Alpen in der zweiten Hälfte des 19. Jahrhunderts". E-mail
Livia Cárdenas M.A. studied art history, cultural studies and french in Berlin and in Tours (France), editor for the news department of the Berlin-Brandenburg television (online-board), collaboration in a publishing company for history and art history. Since 2006 scientific collaborator at the Justus-Liebig-University Gießen. Currently she is working on a doctoral dissertation on late medieval relic books. E-mail
Rainer
Donandt M. A. has studied history and art history at the University of Hamburg and was fellow of the Graduate Studies Program on Political Iconography (Graduiertenkolleg Politische Ikonographie), University of Hamburg. He is currently writing his doctoral dissertation on Filippo Brunelleschi. E-mail
Dr. Robert Felfe, History of Art and Cultural Studies; dissertation 2000 on book illustration and natural sciences in publications by the Swiss scholar and polyhistor Johann Jakob Scheuchzer (1672-1733); following different jobs in scientific research as well as editorial work, since 2002 research position in the „Research Center on Performing Cultures“ at the Free University Berlin with a focus on: the history of collections in the early modern period, practice and theory of printmaking, images and natural sciences 16th – 18th century, as well as photography. E-mail
Steffen Haug M.A. Studied art history and philosophy in Berlin. Graduated with a study on the denial of images in the Oeuvre of Alfredo Jaar in 2003. Collaboration in several exhibitions. 2006-2007 Scholarship at the Deutsches Forum für Kunstgeschichte (German Center for Art History) in Paris. Currently writing a doctoral dissertation on the role of the visual sources in Walter Benjamin's Arcades-Project. E-mail
Godehard Janzing M. A. is an art historian and curator in Berlin. 2004-2007 he worked at the German Historical Museum in Berlin. 2001-2002 he was fellow at the Deutsches Forum für Kunstgeschichte (German Center for Art History) in Paris. His dissertation explores the relation of military reforms and the reception of antiquity in the work of Schadow, David and Goya. His recent publications have focused an the visual politics of the military, from early modern time to our own. E-mail
Dr. Karin Leonard E-mail
Caroline Philipp M.A. has studied art history and cultural studies in Freiburg i. Br., Madrid and Berlin. Her MA thesis examined the early work with video “(Absolution) Pipilotti’s Mistakes” by Pipilotti Rist. Collaboration and research for the catalogue and the exhibition project “Berlin-Moskau/Moskau-Berlin 1950-2000”, Martin-Gropius-Bau, Berlin. Specific interest in contemporary art and new media. She is currently preparing a doctoral dissertation on the films of Gordon Matta-Clark. E-mail
Wolfgang Sarges M.A.studied art history, philosophy and musicology in Marburg/L. E-mail
Dr. des. Claudia Sedlarz, project director of „Berliner Klassik. Eine Großstadtkultur um 1800“, Berlin-Brandenburgische Akademie der Wissenschaften. Dissertation on "Rom sehen und darüber reden. Karl Philipp Moritz’ Reise nach Italien 1786-88" [To see Rome and to talk about it. Moritz’s journey through Italy 1786-88]. Editor of: „Aloys Hirt. Archäologe, Historiker, Kunstkenner“; „Die Königsstadt. Berliner urbane Räume um 1800“. E-mail
PD Dr. Philipp Zitzlsperger. Doctorate thesis 2000 (Munich) on "Gianlorenzo Bernini. The portaits of popes and kings" [Gianlorenzo Bernini. Die Papst- und Herrscherporträts. Zum Verhältnis von Bildnis und Macht], publ. Munich 2002. Researcher at the Seminar for Art History, Humboldt Universität zu Berlin, in the Research Program REQUIEM. - Roman Papal- and Cardinal Tombs”. Habilitation 2007, which concentrates mainly on Renaissance painting of the Quattro and Cinquecento. Investigations on a method designed to strengthen the relevance of history of costume as an essential component of art history. E-mail
Founding Members of H-ArtHist
- Dr. Matthias Bruhn (Berlin)
- Rainer Donandt M.A. (Hamburg)
- Dr. Joachim Homann (Hamilton, NY)
- Iris Mahnke M.A. (Berlin)
- Dr. des Claudia Sedlarz (Berlin)
Former Board Members
- Dr. Matthias Bruhn (Berlin)
- Dr. Joachim Homann (Hamilton, NY)
- Iris Mahnke M.A. (Berlin)
- Dr. Achim Timmermann (Ann Arbor, MI)
07.11.2009
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